Despite the soap-opera finish at hospital bedside, a cozy story of three likable artists on the up and up.
An engaging second from actress O’Connor (Like China, 1990) is a roman á clef about the mercurial careers and emotional histrionics of three inseparable New York actors in the late 1970s.
The three first meet at a hotly competitive actors’ workshop run by suave, sneering Andre Sadovsky in upstairs Carnegie Hall: narrator Robert Holt is a driven perfectionist from New Jersey whose mother was a Rockette and father deserted the family when Robert was two; tall gay Patrick O’Doherty is a former Broadway dancer whose scary secret sex life will eventually fray relations among them all; and fresh from Coffeyville, Kansas, at just 21, Irene Jane Walpers is the natural ingénue. The three pal around town as charmingly improvident artists, sharing apartments, tips on auditions, and moral support; they become hand-picked protégés of Andre, who runs the exclusive summer-arts festival in Connecticut where Robert and Irene’s flirtation is interrupted by Andre’s whisking her away to live with him as assistant of the hour and traveling companion. Further tensions are introduced when Patrick, a pathological liar who can’t find his true role, takes to his bed in depression for days after rejection or vanishes for nights of cruising, then reappears badly beaten up. O’Connor knows her stuff—getting the agent runaround, understudying for actors who won’t move over, sleeping with people to get connections, landing the cushy job in a soap opera that turns into a sorry career. Entering her gritty Hell’s Kitchen of the hand-to-mouth actor is like watching a documentary of a bygone New York. Eventually, success strikes the one we least expect, Robert, who picks up women in department stores: he feels he’s lost to his friends when he moves out to LA, yet he can’t change his true nature, which is love of good roles—and Irene and Patrick.
Despite the soap-opera finish at hospital bedside, a cozy story of three likable artists on the up and up.Pub Date: Sept. 26, 2003
ISBN: 1-56512-373-5
Page Count: 320
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
BOOK REVIEW
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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