MISOSO

A treasure. If there were any doubts about Aardema's (Anasi Finds a Fool, 1992, etc.) preeminence as a teller of African tales, this collection puts them to rest. Ten outstanding picture books could easily have been made from these twelve tales. Though not all are folktales in the strict sense of the term, their humor, imagination, and vivid imagery create a satisfying unity that is underscored by the brilliantly quirky illustrations and tasteful design. Aardema's mastery of onomatopoeia and rhythmic accumulation make you feel as if she's right there feeding the story into your ear. Choosing a favorite is hard: How about ``Half-a-Ball-of- Kenki,'' the world's only story starring a partial serving of cornmeal mush? or ``Kindai and the Ape,'' an Emo-Yo-Quaim version of the Androcles and the Lion legend? or maybe ``The Sloogey Dog and the Stolen Aroma,'' a Fang tale that may have originated in Egypt and has shown up in Jewish folklore? Misoso comes complete with maps, glossaries, and source information, but don't tell kids it's educational, and they'll never know the difference. Read this book once for the stories, twice for the illustrations, and a hundred times just for fun. (Folklore/Stories. 5-10)

Pub Date: Oct. 3, 1994

ISBN: 0-679-83430-3

Page Count: 88

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1994

Did you like this book?

No Comments Yet

ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2001

Did you like this book?

No Comments Yet

THE GIRL WHO LOVED WILD HORSES

            There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses.  The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance.  But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him.  Goble tells the story soberly, allowing it to settle, to find its own level.  The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight.          6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

Did you like this book?

No Comments Yet
more