An amiable portrait of a baseball great—like Yogi Berra, Dizzy Dean and Satchel Paige—whose outsized personality looms even...

LEFTY

AN AMERICAN ODYSSEY

A veteran author teams with the daughter of Vernon “Lefty” Gomez (1908–1989) for a biography of the Yankee legend.

One of the game’s singular personalities and greatest big-game pitchers, Lefty Gomez entered the Hall of Fame in 1972. In a career cut short by injuries, he nevertheless managed to win 20 games four times, lead the league three times in strikeouts and shutouts and twice in ERA. A fierce competitor, he started and won six of seven World Series games (while losing none), and three of four All-Star games. Daughter Gomez and Goldstone (Inherently Unequal: The Betrayal of Equal Rights by the Supreme Court, 1865–1903, 2011, etc.) dutifully cover the baseball heroics, from Lefty’s California boyhood, the town teams and semi-pro ball, his signing with the San Francisco Seals and his storied Yankee career. The narrative’s chief delight, though, is the treatment of Lefty the character. For his pranks, eccentricities and high-spirited antics, he acquired the nickname “El Goofo,” but the moniker belied a steady character that led teammates to confide in him, a keen native intelligence and ready wit. Sure, he once famously held up a World Series game as he contemplated a passing airplane, but this same man perfectly captured the fearsome slugger Jimmie Foxx by remarking, “He has muscles in his hair.” Thanks partly to his marriage to showgirl June O’Dea and his post-playing career as sales rep and goodwill ambassador for Wilson Sporting Goods, Lefty traveled widely and appears to have hung with an endless list of famous friends: sitting in with bandleader Eddy Duchin, chumming with James Michener, dining with Hemingway, fishing with Ted Williams, playing cards with the Babe. Though this largely adoring treatment acknowledges some dark passages—a near-divorce, a midlife bout with alcoholism, the motorcycle death of a beloved son—the overwhelming impression is of a crowded, accomplished life exuberantly lived.

An amiable portrait of a baseball great—like Yogi Berra, Dizzy Dean and Satchel Paige—whose outsized personality looms even larger than his considerable athletic achievements.

Pub Date: May 15, 2012

ISBN: 978-0-345-52648-9

Page Count: 432

Publisher: Ballantine

Review Posted Online: March 3, 2012

Kirkus Reviews Issue: March 15, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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