A young woman takes over her father’s bookshop and discovers its importance to its small-town clientele.
Emilia Nightingale is called back to her childhood home in the English Cotswolds when her father, Julius, is on his deathbed. Emilia makes a final promise to her father that she will look after the bookshop that has been his life’s work and, following his death, sets about trying to fill his role at Nightingale Books. Through an outpouring of affection from the town’s residents, Emilia realizes that Julius was a beloved fixture of the community, and she has big shoes to fill. She also sees how integral the bookshop has been in facilitating relationships throughout the town. As she refamiliarizes herself with the village of Peasebrook and its people, six different love stories begin to unfold, all of which are somehow connected to the bookstore. Unfortunately, Emilia quickly learns that her father was more of a bookworm than a businessman. The store has amassed tremendous debt over the years, and Julius’ habit of selling books at deep discounts has not helped. Complicating matters further, a local real estate developer is pressuring Emilia to sell him the shop. A quick sale would solve Emilia’s financial woes, but she cannot bear the thought of closing the shop. In her U.S. debut, Henry (High Tide, 2015, etc.) creates one obstacle after another for Nightingale Books and its patrons. At the same time, she explores deeper questions of personal choice and the different forms in which love manifests. This charming story moves forward at a steady pace as several different couples struggle to make connections and work past strife.
A light romantic comedy well-suited for bibliophiles and Anglophiles alike.Pub Date: Aug. 15, 2017
ISBN: 978-0-7352-2349-3
Page Count: 352
Publisher: Pamela Dorman/Viking
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: FAMILY LIFE & FRIENDSHIP
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Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.
Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.Pub Date: July 17, 2018
ISBN: 978-1-5011-7159-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 1, 2018
Kirkus Reviews Issue: May 15, 2018
Categories: FAMILY LIFE & FRIENDSHIP
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Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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