by Veronica Henry ‧ RELEASE DATE: Aug. 15, 2017
A light romantic comedy well-suited for bibliophiles and Anglophiles alike.
A young woman takes over her father’s bookshop and discovers its importance to its small-town clientele.
Emilia Nightingale is called back to her childhood home in the English Cotswolds when her father, Julius, is on his deathbed. Emilia makes a final promise to her father that she will look after the bookshop that has been his life’s work and, following his death, sets about trying to fill his role at Nightingale Books. Through an outpouring of affection from the town’s residents, Emilia realizes that Julius was a beloved fixture of the community, and she has big shoes to fill. She also sees how integral the bookshop has been in facilitating relationships throughout the town. As she refamiliarizes herself with the village of Peasebrook and its people, six different love stories begin to unfold, all of which are somehow connected to the bookstore. Unfortunately, Emilia quickly learns that her father was more of a bookworm than a businessman. The store has amassed tremendous debt over the years, and Julius’ habit of selling books at deep discounts has not helped. Complicating matters further, a local real estate developer is pressuring Emilia to sell him the shop. A quick sale would solve Emilia’s financial woes, but she cannot bear the thought of closing the shop. In her U.S. debut, Henry (High Tide, 2015, etc.) creates one obstacle after another for Nightingale Books and its patrons. At the same time, she explores deeper questions of personal choice and the different forms in which love manifests. This charming story moves forward at a steady pace as several different couples struggle to make connections and work past strife.A light romantic comedy well-suited for bibliophiles and Anglophiles alike.
Pub Date: Aug. 15, 2017
Page Count: 352
Publisher: Pamela Dorman/Viking
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
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by Colleen Hoover ‧ RELEASE DATE: March 18, 2014
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Awards & Accolades
New York Times Bestseller
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.
Pub Date: March 18, 2014
Page Count: 384
Review Posted Online: May 6, 2014
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.Still, a respectful and absorbing page-turner.
Pub Date: Feb. 3, 2015
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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