Forthright, compelling look at a vanished, glittering era of show business.
A crooner’s breezy memoir.
Damone looks back at his life and career, recalling his Depression-era Brooklyn boyhood and his vertiginous trajectory up the pop charts and into the inner circle of the Rat Pack—as well as the arms of some of Hollywood’s most glamorous sirens. Born Vito Farinola in 1928, Damone grew up in Bensonhurst, displaying from earliest childhood a precocious singing ability that led to appearances on local radio programs. He found work as an usher at New York’s legendary Paramount Theater, rubbing shoulders with the likes of Perry Como and Tommy Dorsey, who encouraged the young man in his ambitions. In 1947, the 19-year-old Damone justified his early promise by scoring the massive hit “I Only Have But One Heart.” In the ensuing years, he enjoyed success as a pop singer but never attained the superstar status of buddies Frank Sinatra or Dean Martin. Damone admits to a marked diffidence regarding celebrity and careerism, which is to the book’s benefit. Simultaneously an insider and an outsider, his perspective on his colleagues is refreshingly clear-eyed—though he clearly hero-worships Sinatra, an early supporter and lifelong pal. The author had an eventful private life, and he offers tales of vengeful mobsters, celebrity heartbreak and carousing in Las Vegas at the height of its glamour. The much-married Damone counts the beautiful Italian movie star Pier Angeli and the American singer/actress Diahann Carroll among his former brides, and he dated both Elizabeth Taylor and, on one memorably drunken occasion, Ava Gardner. Damone speaks eloquently about his passion for golf and his conversion to the Baha’i faith, but he is best on the subject of music. A consummate technician, Damone authoritatively analyzes breath control, lyrical interpretation and other aspects of the singer’s art.
Forthright, compelling look at a vanished, glittering era of show business.Pub Date: June 1, 2009
ISBN: 978-0-312-57025-5
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2009
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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