Readers will enjoy what is still a romantic and exciting story, but with the tease of such rich material they’ll miss the...
Following in a parent’s footsteps is never easy…especially when your parents are Cleopatra and Mark Antony.
From the little known about the lives of Cleopatra Selene and her two brothers, taken to Rome after the deaths of their parents to live in the emperor’s compound, Shecter has written an entertaining but ultimately thin first novel. The first-person narration follows Cleopatra Selene from age 7 to 16 as she grows politically savvy, falls in love and sets her own course. The author has written nonfiction books for children about this era (Cleopatra Rules!, 2010, etc.), and here the historical context and characters are well drawn. The sadistic family plotting in Octavianus’ compound makes for intriguing storytelling, and Cleopatra Selene’s loneliness, terror and ultimate bravery are well developed. Yet she’s just not believable as a brainy 25th-century-BCE princess, exhibiting a 21st-century naïveté (especially regarding espionage) and the subtlety of a school bus. Conversations with her beloved introduce the audience to philosophical concepts of Stoicism, free will and women’s rights, but there’s almost an avoidance of issues of slavery and sovereignty, for all their essential part in the plot.
Readers will enjoy what is still a romantic and exciting story, but with the tease of such rich material they’ll miss the meatiness of such storytellers as Katherine Sturtevant, Megan Whalen Turner or Robin McKinley. (character list, author’s note) (Fiction. 10-14)Pub Date: Aug. 1, 2011
ISBN: 978-0-545-22130-6
Page Count: 368
Publisher: Levine/Scholastic
Review Posted Online: July 14, 2011
Kirkus Reviews Issue: July 15, 2011
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes
A gripping thriller in dystopic future Los Angeles.
Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)Pub Date: Nov. 29, 2011
ISBN: 978-0-399-25675-2
Page Count: 336
Publisher: Putnam
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK TO SCREEN
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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