Sociology taken to the streets and basements, yielding a well-wrought introduction to a scene little known—and perhaps...
by Victor P. Corona ‧ RELEASE DATE: July 11, 2017
An engaging, if unlikely, memoir of a scholar by day, club hopper by night.
Corona is many things: a sociologist at NYU, a dreamer (in the sense of both having parents who were illegal immigrants from Mexico and having large ambitions), a gay Latino, and both a worshiper and student of celebrity. He combines all these interests and attributes in this spry memoir of New York nightlife, the bouncer-at-the-gate demimonde of loud discos and flowing drink and drug. As he writes, he is almost alone in chronicling the scene as a scholar: there have been a few who have parachuted in for a quick look and just a couple of other participant observers, including a former runway model who “accessed situations and had conversations that a big-nosed, non-white queer man like me simply couldn’t.” Inspired to come to NYC by the antics of the so-called Club Kids movement of the early 1990s, a whirlwind of outrageous behavior and costumes that ended in a morass of pharmaceuticals and murder, Corona exults in “the eventual education I would get downtown: the complicated yet very malleable nature of human identity.” Put on a costume or a wig, that is, and you become a different person—but in the club scene, you are who you want to be, whatever personality or gender you wish, and by Corona’s account, no one is particularly interested in the truth. Though written by a scholar, there are only a few nods to academic niceties here. The only obligatory moment seems to be a somewhat glancing history of the club scene as refracted through the pioneers at Andy Warhol’s Factory, whose escapades are well-documented elsewhere. Yet even Corona’s nods to those pioneers are lively, as with his homage to Susanne Bartsch, whose “pronounced Swiss German accent is a harsh flourish that only adds dramatic bite to her already expressive character, one that incarnates fabulousness.”
Sociology taken to the streets and basements, yielding a well-wrought introduction to a scene little known—and perhaps little imagined—to outsiders.Pub Date: July 11, 2017
ISBN: 978-1-61902-939-2
Page Count: 320
Publisher: Soft Skull Press
Review Posted Online: April 29, 2017
Kirkus Reviews Issue: May 15, 2017
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; translated by Marion Wiesel
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