Despite lyrical prose, the narrative does not develop so much as unravel according to vagaries of chance. The Bruckners’...
Trinidad teen journeys to America in 1989, only to find herself trapped in thankless domestic drudgery.
At 16, Grace leaves behind her small island village, her crippled diabetic father, her devout born-again mother and her younger sister. Upon arrival in New York City, the cousin who had promised to meet her flight doesn’t show. She ends up in Brooklyn staying with Sylvia, a matronly woman she met at a Crown Heights street fair. But Sylvia’s apartment is crowded and toxic: Lead paint peels off the walls, and one of Sylvia’s three children is displaying neurological symptoms. Grace finds a nanny position in a Manhattan high rise with a Jewish couple, Miriam and Sol Bruckner. Her duties extend far beyond minding 3-year-old Ben Bruckner. In return for a bed near the washing machine and $200 a week (often less), she’s expected to do all the household chores, cooking and laundry. Sol is passive-aggressive and may have had an affair with a previous West Indian employee, and Miriam alternately praises Grace and berates her for trivial infractions of arbitrary rules. The Bruckners agree to sponsor Grace for a green card but evade Grace’s questions about the progress of her application. Grace finds solace among her fellow nannies, who, with their charges, convene daily at the playground in Union Square. Her friend Kathy, also from Trinidad, but from a wealthier family, introduces Grace to the nightclub scene. Dave, the gay man who occupies the penthouse of the Bruckners’ building, seeks her help with his indoor tropical garden and becomes, besides Kathy, her sole trusted confidant. By age 18, Grace has learned dispiriting truths about almost everyone in her new home.
Despite lyrical prose, the narrative does not develop so much as unravel according to vagaries of chance. The Bruckners’ casual cruelty beggars belief, but Grace’s inability to fight back is even more implausible. However, Brown is a new voice with much to offer.Pub Date: April 1, 2011
ISBN: 978-1-4013-4151-0
Page Count: 352
Publisher: Voice/Hyperion
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Feb. 15, 2011
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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