Despite lyrical prose, the narrative does not develop so much as unravel according to vagaries of chance. The Bruckners’...


Trinidad teen journeys to America in 1989, only to find herself trapped in thankless domestic drudgery.

At 16, Grace leaves behind her small island village, her crippled diabetic father, her devout born-again mother and her younger sister. Upon arrival in New York City, the cousin who had promised to meet her flight doesn’t show. She ends up in Brooklyn staying with Sylvia, a matronly woman she met at a Crown Heights street fair. But Sylvia’s apartment is crowded and toxic: Lead paint peels off the walls, and one of Sylvia’s three children is displaying neurological symptoms. Grace finds a nanny position in a Manhattan high rise with a Jewish couple, Miriam and Sol Bruckner. Her duties extend far beyond minding 3-year-old Ben Bruckner. In return for a bed near the washing machine and $200 a week (often less), she’s expected to do all the household chores, cooking and laundry. Sol is passive-aggressive and may have had an affair with a previous West Indian employee, and Miriam alternately praises Grace and berates her for trivial infractions of arbitrary rules. The Bruckners agree to sponsor Grace for a green card but evade Grace’s questions about the progress of her application. Grace finds solace among her fellow nannies, who, with their charges, convene daily at the playground in Union Square. Her friend Kathy, also from Trinidad, but from a wealthier family, introduces Grace to the nightclub scene. Dave, the gay man who occupies the penthouse of the Bruckners’ building, seeks her help with his indoor tropical garden and becomes, besides Kathy, her sole trusted confidant. By age 18, Grace has learned dispiriting truths about almost everyone in her new home.

Despite lyrical prose, the narrative does not develop so much as unravel according to vagaries of chance. The Bruckners’ casual cruelty beggars belief, but Grace’s inability to fight back is even more implausible. However, Brown is a new voice with much to offer.

Pub Date: April 1, 2011

ISBN: 978-1-4013-4151-0

Page Count: 352

Publisher: Voice/Hyperion

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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