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THE GIRL WHO COULD FLY

Name: THE GIRL WHO COULD FLY
Author: Victoria Forester
ISBN: 978-0-312-37462-4

by Victoria Forester ‧ RELEASE DATE: July 1, 2008

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With homespun charm, Forester focuses on the extraordinary Piper McCloud, daughter of an elderly couple who worry that revealing her gift of flight will put her in danger—with good reason. After Piper’s first attempt to play baseball at a Fourth of July celebration results in a spectacular exhibit of her unique talent, Letitia Hellion’s helicopter and black sedans show up to whisk her to a special school. At I.N.S.A.N.E., the Institute of Normalcy, Stability And Non Exceptionality, Letitia introduces Piper to classmates with equally unusual talents. The facility harbors many secrets, some unpleasant, many horrifying and none more unusual than genius Conrad Harrington III, rejected son of a powerful politician. Plucky Piper faces nearly insurmountable odds and must keep her innate sense of right and wrong focused through her trials. This fantasy has an air of reality, maintained by the aw-shucks flavor of the dialogue and its determined, good-as-gold heroine. Hints of a sequel appear after the tidy ending of this X-Men-like superhero take on the world. (Fantasy. 9-12)

Pub Date: July 1, 2008

ISBN: 978-0-312-37462-4

Page Count: 208

Publisher: Feiwel & Friends

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2008

Categories:

CHILDREN'S SCIENCE FICTION & FANTASY

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CORALINE

by Neil Gaiman ‧ RELEASE DATE: July 1, 2002

Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...

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A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.

Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.

Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)

Pub Date: July 1, 2002

ISBN: 0-380-97778-8

Page Count: 176

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

Categories:

CHILDREN'S GENERAL CHILDREN'S | GENERAL GRAPHIC NOVELS & COMICS | CHILDREN'S SCIENCE FICTION & FANTASY

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TUCK EVERLASTING

by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

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At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)