by Victoria Kelly ‧ RELEASE DATE: March 1, 2016
The book flirts with spiritual themes and with the idea that the divide between this life and the next may be permeable. But...
Master magician Harry Houdini has proved an endless source of fascination to writers and filmmakers. This debut novel shifts the focus to his strong-willed wife, Bess, drawing on real events but conjuring a fanciful end to their long marriage.
The two meet as young, struggling performers in Coney Island—Harry performing magic tricks, Bess singing with a female troupe. They marry and endure a hardscrabble life till Harry’s daring, ingenious stunts start to attract international attention. Intercut with the story of Harry’s rise to stardom is a second narrative tracing Bess’ adventures and misadventures after her husband’s mysterious death in 1926. Insisting that he promised, on his deathbed, to communicate with her from beyond the grave, Bess falls prey to scheming mediums claiming to relay his messages. Realizing she’s being duped, Bess begins to look elsewhere for Harry’s presence. She finds coded messages and joins forces with a young photographer who proves crucial to her quest. Unfortunately, this part of the book—which abruptly departs from the historical record—comes off as a little silly, with a Nancy Drew–like quality to it. Throughout, the period details are rich, and it’s fun to keep company with the Houdinis as they mingle with Jack London, Sir Arthur Conan Doyle, and other celebrities of the era. And who wouldn’t want to be a fly on the wall at the magicians’ salon that Bess—childless and longing for something to call her own—opens in Manhattan?
The book flirts with spiritual themes and with the idea that the divide between this life and the next may be permeable. But Houdini was, in the end, a down-to-earth kind of guy, and one can’t help but wonder what he would have made of the otherworldly turns in this sweet if not quite satisfying novel.Pub Date: March 1, 2016
ISBN: 978-1-5011-1090-0
Page Count: 320
Publisher: Atria
Review Posted Online: Dec. 20, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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