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NAKED SINGULARITY

The emotions are raw at times, but there’s a cool tone of postmodern post-mortem throughout as well, raising hackles and...

A far cry from the hot-hostess high-jinks of Smoking Hopes (1996), Alexander’s first novel, this is a painfully personal tale of Daddy’s Little Girl come home to Texas to agonize over whether she should help him die quietly, thereby avoiding his gruesome end from throat cancer. Hali may be diminutive, but she’s no lightweight, being a Ph.D. in teleology and a major babe besides. When she arrives on the scene from New York, however, where her “open” relationship with an artist on the cusp of fame has hit a rough patch, she’s already aware that she may have to fulfill a tough special role for the family. At first there’s hope, as Dad reads optimism in his doctors’ evasions and the punishing therapy seems to be having its desired effect. Father and daughter discover a renewed appreciation for each other’s cosmological interests and similar philosophies. But not many months pass before a different scenario emerges: last-chance surgery is ruled out as the cancer spreads to his spinal column, and Hali is at Dad’s bedside when he speaks privately to her of helping him out. Eventually, she agrees, and with the help of a muscle-bound drifter in nurse’s garb she becomes the clandestine family Kevorkian—except that Dad won’t die no matter how many drug cocktails they give him, and Hali and the nurse feel increasingly the tugs of a fatal attraction.

The emotions are raw at times, but there’s a cool tone of postmodern post-mortem throughout as well, raising hackles and sympathy from first to last.

Pub Date: Dec. 1, 2002

ISBN: 1-57962-087-7

Page Count: 190

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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DEAR EDWARD

Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

A 12-year-old boy is the sole survivor of a plane crash—a study in before and after.

Edward Adler is moving to California with his adored older brother, Jordan, and their parents: Mom is a scriptwriter for television, Dad is a mathematician who is home schooling his sons. They will get no further than Colorado, where the plane goes down. Napolitano’s (A Good Hard Look, 2011, etc.) novel twins the narrative of the flight from takeoff to impact with the story of Edward’s life over the next six years. Taken in by his mother’s sister and her husband, a childless couple in New Jersey, Edward’s misery is constant and almost impermeable. Unable to bear sleeping in the never-used nursery his aunt and uncle have hastily appointed to serve as his bedroom, he ends up bunking next door, where there's a kid his age, a girl named Shay. This friendship becomes the single strand connecting him to the world of the living. Meanwhile, in alternating chapters, we meet all the doomed airplane passengers, explore their backstories, and learn about their hopes and plans, every single one of which is minutes from obliteration. For some readers, Napolitano’s premise will be too dark to bear, underlining our terrible vulnerability to random events and our inability to protect ourselves or our children from the worst-case scenario while also imagining in exhaustive detail the bleak experience of survival. The people around Edward have no idea how to deal with him; his aunt and uncle try their best to protect him from the horrors of his instant celebrity as Miracle Boy. As one might expect, there is a ray of light for Edward at the end of the tunnel, and for hardier readers this will make Napolitano’s novel a story of hope.

Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

Pub Date: Jan. 14, 2020

ISBN: 978-1-9848-5478-0

Page Count: 352

Publisher: Dial Books

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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SEPARATION ANXIETY

The author gamely combines characters and caricatures, real pain and farce.

Can wearing the family dog in a baby sling save a troubled marriage?

“Wearing the dog is ridiculous. An act of desperation. I know this….But there is the loneliness. How I startle awake in the dark, panicked, full of dread, floating on the night sea on a tiny raft surrounded by all that vast blackness.” Once-successful author Judy Vogel is beset by problems. Her writing’s dried up, her 13-year-old son is pulling away from her, her best friend is dying of cancer, her marriage is falling apart due to her husband’s extreme anxiety issues, and hers don’t seem much less serious. As the book opens, Judy and Gary are technically separated but still living in the same house. He addresses his condition with a low-stress job and weed; she finds her solace in a never-used BabyBjörn that turns up in the basement. In goes the family sheltie!—and suddenly, somehow it all doesn’t seem so bad. Zigman (Piece of Work, 2006, etc.) is adept at Where’d You Go Bernadette–style snarkery about her son’s progressive Montessori school, her own job writing posts for a health and happiness website—“Are dogs the ultimate antidepressant?”; “If just seeing the word cannabis makes you anxious, keep reading”—and a New Age creativity retreat the couple attend. But the central premise of the novel is a bit unsettling. When Judy first puts the dog in the sling, she’s aware that it wants to get out. Soon she convinces herself it’s nice in there. From that point on she pays so little attention to the actual dog that it could be a stuffed animal. She almost doesn’t seem to care about it as a pet or as a sentient being with needs. When she’s attacked by a group of people at the dog park who charge her with animal abuse, you wonder whose side you're on.

The author gamely combines characters and caricatures, real pain and farce.

Pub Date: March 3, 2020

ISBN: 978-0-06-290907-7

Page Count: 288

Publisher: Ecco/HarperCollins

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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