Though Redel has chosen a difficult topic, too often she opts for “a-w-w” moments rather than unflinching confrontations.
Friends and family gather to cajole, comfort, and/or castigate a dying woman.
In a nonlinear accumulation of vignettes spanning several decades, Redel (Make Me Do Things, 2013, etc.) presents the life of Anna, whose charisma and beauty have, over the years, made her an icon in many lives. When, in middle age, Anna's rare lymphoma returns, she foregoes treatment and chooses home hospice. A swirl of friends descends, and their individual stories are woven into the fabric of her waning days. There are the Old Friends, women she’s known since grade school: recovering addict Helen, now a famous, globe-trotting painter; Ming, a high-powered lawyer whose daughter has a seizure disorder; Caroline, caregiver of a perpetually needy bipolar older sister; and Molly, a lesbian, daughter of a drunken, cruel mother. The Valley friends, women who for the last 20 years have shared Anna’s life in shabby-chic Pioneer Valley, Massachusetts, are feeling displaced. Her two brothers, both physicians, and her separated-but-not-necessarily-estranged husband, Reuben, are also in attendance, as well as her oldest son, Julian, who confides a secret only to Anna: she is going to be a grandmother. Valley and Old friends alike urge Anna to stay alive, and occasionally she rallies, eating a quart of ice cream and dragooning the Old Friends into an impromptu road trip. In this teeming cast of high achievers, individual personalities are hard to distinguish. Despite being constantly reminded that Anna is a queen bee, a mathlete, and a rock star whose blues band mates adore her, we learn little about her, specifically how she has managed to amass such a vast and loyal following. The prose is accomplished and the images are striking even if Redel can’t resist two descriptive phrases when one will do. Only one scene in the novel lifts it, and us, out of our comfort zone: when Anna crashes a Canyon Ranch–type spa, bringing home to its patrons just how ephemeral “wellness” can really be.
Though Redel has chosen a difficult topic, too often she opts for “a-w-w” moments rather than unflinching confrontations.Pub Date: June 27, 2017
ISBN: 978-0-7352-2257-1
Page Count: 288
Publisher: Viking
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
