Still, within the confines of its father-daughter story, a powerful essay on the instinct to both keep and reveal family...
A woman is drawn inexorably deeper into her father’s past as a World War II refugee in Redel’s second novel.
Sara Leader, a New York professor, has a substantial to-do list for the summer of 2003: She needs to complete the bottomless pile of paperwork required to adopt a baby from overseas, get moving on a translation of books and papers by influential German philosopher Walter Benjamin and keep a watchful eye on her elderly father, Richard, a Belgian-born Jew who narrowly escaped the death camps. Sara’s awareness of her father’s past is vague at best; Richard (born Itzak Lejdel) has successfully repelled his daughter’s attempts to learn more about his passage into the U.S. The reader is in on the secret, though: Sara’s story is interspersed with the letters Itzak wrote to First Lady Eleanor Roosevelt in September 1940, when he was trapped in U.S. docks aboard a European refugee ship, the Quanza. Amid his descriptions of his first love, his broken-up family and his narrow escape from German-occupied Europe, he emerges as a tender and bright 17-year-old who made more sacrifices than he ever confessed to his daughter. There are strong parallels between Sara’s father and Walter Benjamin, who killed himself in September 1940, despairing of crossing the French-Spanish border and escaping the Nazis, but Redel (Loverboy, 2001) doesn’t oversell that connection, nor does this story become a simplistic tale of father-daughter bonding. Instead, its best moments contain lucid observations about the struggle to uncover family secrets, and to understand the depths of self-hatred and fear that war generates. Other portions of the novel are less convincing: Sara’s relationship with a married man (and her increasing attraction to another suitor) is thinly depicted, as is her relationship with her best friend, who mechanically dispenses tough love at every turn.
Still, within the confines of its father-daughter story, a powerful essay on the instinct to both keep and reveal family secrets.Pub Date: April 30, 2007
ISBN: 1-58243-366-6
Page Count: 304
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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