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NOTHING EVER DIES

VIETNAM AND THE MEMORY OF WAR

Essentially a critical study, Nguyen’s work is a powerful reflection on how we choose to remember and forget.

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A scholarly exploration of memory and the Vietnam War from an author “born in Vietnam but made in America.”

While Nguyen (English and American Studies & Ethnicity/Univ. of Southern California; The Sympathizer, 2015, etc.) focuses on the Vietnam War, the war that most intimately affected his Vietnamese family, his fine reflections on how to treat and preserve the memory of war “justly” extends to other neighboring wars such as those in Cambodia, Laos, Korea, the Philippines, and elsewhere. The “ethics of remembering” is complicated, as the author explains while walking readers through specific parts of Vietnam, because it involves not just grieving one’s nearest and dearest—e.g., visiting cemeteries of fallen family members—but feeling compassion for others, as the moving, reflective black wall of the Vietnam War Memorial in Washington, D.C., elicits beautifully. Nguyen stresses the importance of recognizing that we are not only the victims of horrible tragedy, but also the perpetrators: “Reminding ourselves that being human also means being inhuman is important simply because it is so easy to forget our inhumanity or to displace it onto other humans.” The author also explores the “memory industries,” such as Hollywood movies that cater to “young men’s erotic fascination with pure sex and war movies.” He looks at many examples of war memorials in Vietnam and Korea that attempt to bring the memory into the present, while books, especially novels by Vietnamese-Americans, convey senses of affirmation and redemption and allow the ghosts, literally, to speak. Grasping our essential inhumanity through art (a “true war story”), Nguyen affirms, is one way to resist the “memory industry,” the ultimate goal of which is to “reproduce power and inequality.” Finally, there is the role of “just” forgetting, which allows people to go on and live as well as to forgive.

Essentially a critical study, Nguyen’s work is a powerful reflection on how we choose to remember and forget.

Pub Date: April 5, 2016

ISBN: 978-0-674-66034-2

Page Count: 364

Publisher: Harvard Univ.

Review Posted Online: Jan. 9, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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