A highly readable if frustratingly uninvolving story of lost love set in the rarefied world of classical music performance, from the Indian-born British poet and author of the verse novel The Golden Gate (1991) and the Tolstoyan A Suitable Boy. (1993). Narrator Michael Holme is a late-30ish violinist living in London, teaching music to such unexceptional students as his pouty mistress Virginie, performing with the (semi-famous) Maggiore string quartet—and indulging bittersweet memories of Julia MacNicoll, the beautiful pianist he had loved, and impulsively abandoned, when they studied music together in Vienna. Seth sketches in pleasing pictures of Michael’s agreeably busy life and generally satisfactory relationships: among them, with the quartet’s other members (all sharply characterized, especially waspish Piers and tenderhearted Billy); with his widowed father, still living in humble Rochdale, where Michael grew up; and with Mrs Formby, Michael’s wealthy mentor-benefactor. Then Julia is glimpsed on a bus, shows up at a Maggiore concert, keeps agreeing to secretly meet Michael though she doesn’t understand why (nor do we)—and, despite her marriage, motherhood, and reluctance to lead “two lives,” they become lovers once again. But while Julia still performs publicly, she’s losing her hearing; her reunion with Michael is an idyll that can’t last, and the story’s downbeat ending looms inevitably. If its principals’ fascination with each other were more distinctive, less moonily generic, this might have been a thoroughly convincing novel, rather than an uneven array of witty observation and keen writing (particularly about music, and the characters’ love of it) unwisely mixed with soporific romance. Brief Encounter set to Beethoven and Schubert. Seth can do better—but don’t be surprised if An Equal Music becomes very, very popular. ($150,000 ad/promo; author tour)
Pub Date: May 4, 1999
ISBN: 0-7679-0291-2
Page Count: 336
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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