by Vincent Lam ‧ RELEASE DATE: Aug. 14, 2012
Lam writes tellingly about intrigue, political collusion and the clash of cultures.
The Chinese headmaster of an English language academy tries to keep body, soul and school together in Saigon during the Vietnam War.
Chen Pie Sou, also known as Percival, is supremely aware of being an outsider. His father had moved to Vietnam in the 1930s to start a new life in the rice trade, and when that dried up during the Japanese occupation, his son eventually decided to go in a new direction. Although Percival’s marriage to his socially superior wife, Cecilia, began in derision and ended in failure, he had a son, Dai Jai, that he doted on. The novel opens with Dai Jai as a young man, flouting the recent edict that forces the teaching of Vietnamese at the school. Percival has always taught his son to assert himself, but his Chinese identity turns out to be dangerous in Saigon in the 1960s, so Percival smuggles Dai Jai out of the country and back to China. Percival also feels his son might be getting too close to Vietnamese girls, and he wants to ensure that his son chooses a Chinese wife. With Dai Jai gone, Percival takes up with an extremely attractive student, Jacqueline, who’s half-French and half-Vietnamese. They begin a fiery affair that culminates in her pregnancy. She gives birth a month before her time, precisely at the explosion of the Tet Offensive in 1968, when Percival is on a Viet Cong list of those to be assassinated as a collaborator with the Americans, and while he escapes this time, further revelations are in store—that Bak, his faithful friend and employee since the Japanese occupation, is actually in league with the Viet Cong, has been spying on Percival, and has encouraged graduates of the school to work with the Viet Cong to intercept and translate American military orders.
Lam writes tellingly about intrigue, political collusion and the clash of cultures.Pub Date: Aug. 14, 2012
ISBN: 978-0-307-98646-7
Page Count: 416
Publisher: Hogarth
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: June 15, 2012
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BOOK REVIEW
by Vincent Lam
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by John Steinbeck ‧ RELEASE DATE: Sept. 19, 1952
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
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BOOK REVIEW
by John Steinbeck & edited by Thomas E. Barden
BOOK REVIEW
by John Steinbeck & edited by Robert DeMott
BOOK REVIEW
by John Steinbeck & edited by Susan Shillinglaw & Jackson J. Benson
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BOOK TO SCREEN
BOOK TO SCREEN
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