More context would have been appreciated, but the choices are illuminating of an iconic artist.
The artist’s troubled life revealed in letters.
In 2009, an illustrated edition of hundreds of letters by Vincent van Gogh (1853-1890) was published, annotated by specialists affiliated with the Van Gogh Museum. These letters now are available at vangoghletters.org, which is continually updated by the Van Gogh Letters Project. Scholars and researchers undoubtedly will consult the authoritative website, since this selection of 265 letters, aimed at general readers, contains few notes or explanatory material. The editors’ introduction contextualizes the letters somewhat by offering a helpful, but brief, overview of van Gogh’s life. The letters serve as a kind of autobiography, attesting to van Gogh’s engagement in art, his trials and aspirations, and, most vividly, his relationship with his younger brother Theo, to whom most letters are addressed. In the late 1870s, van Gogh was floundering, having worked at an art gallery, as a clerk in a bookstore and as an assistant teacher. Obsessed with religion, he decided to become a minister but failed at theology studies and at gaining admittance to a training course to become an evangelist. His volatility and mood swings so alarmed his parents that they considered committing him to a psychiatric hospital. Theo, heroically patient, encouraged his brother to pursue a career in art, which had interested Vincent since youth. By the fall of 1880, Vincent told Theo that he was “working like mad,” drawing, learning “a wealth of anatomy,” and hoping “that these thorns will bear white flowers in their time, and that this apparently sterile struggle is nothing other than a labour of giving birth.” The majority of the letters chronicle the artist’s final 10 years: his art studies in Antwerp and Paris, move to Arles, artistic admirations, and his deteriorating physical and mental health, which he blamed partly on a “too artistic way of life” and partly on “fatal inheritance.” His descriptions of his own paintings are poetically evocative, and his long, detailed, emotional outpourings offer insight into his suffering, loneliness and dreams.
More context would have been appreciated, but the choices are illuminating of an iconic artist.Pub Date: Nov. 25, 2014
ISBN: 978-0-300-20947-1
Page Count: 784
Publisher: Yale Univ.
Review Posted Online: Sept. 27, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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