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THE LETTERS OF VINCENT VAN GOGH

A new translation of van Gogh's ebullient letters (including some never before published), edited by the director of the Van Gogh Museum in Amsterdam, revealing the painter to be an intensely observant and passionate man, struggling to understand and overcome the episodes of mental illness that so damaged his life. To the average person, van Gogh is the apotheosis of the mad genius, but his letters, written between 1872 and 1890, mostly to his brother, Theo, tell a different story. To be sure, he found it difficult to submit to an office job. He refused to become a baker, as his sister suggested, or a preacher, which was his father's line of work. And although his letters are filled with conviction about painting, he felt guilty throughout his life for depending on Theo and periodically lapsed into despondency, worrying, as do many artists, that his labors might ultimately be futile: ``At the moment I'm working on some plum trees, yellowy white, with thousands of black branches. I am using up an enormous amount of canvases and paints, but I hope it's not a waste of money for all that.'' Doubt was dispelled by his earnest love of nature and art. It's strange, nonetheless, to read a chipper description of an orchard, only to discover that a few days after the letter was written van Gogh was stalking his good friend Gauguin with a razor blade. Despite his efforts to keep working, the attacks increased in frequency and severity. One can sense the fear of imminent collapse gnawing away at his exuberance. Either in the grip of another episode, or fearing it, van Gogh committed suicide in July 1890. His heartbroken brother died less than a year later. The hardest thing for an artist, van Gogh noted in one letter, is to capture ``the true and the essential.'' These letters reveal the extraordinary personal struggle that lay behind his triumphant ability to do so. (49 pen-and-ink sketches)

Pub Date: Sept. 1, 1996

ISBN: 0-713-99135-6

Page Count: 560

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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