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HAVANA THURSDAYS

A Cuban-American family's secrets, fears, and fissures all come to light after the sudden death of an eldest son: a low-key novel of remembering and regretting by Cuban-born Su†rez (Welcome to the Oasis and Other Stories, 1991). When internationally renowned seed-geneticist Zacar°as Torres dies of a heart attack while on assignment in Brazil, the Torres family, who've created an oasis of solidarity in exile in the US, suddenly confront long-ignored problems. The secrets and worries they admit to, in separately narrated chapters, are not the gothic horrors of tabloid headlines or pulp fiction but, rather, the plaints of ordinary families. The result is a quiet but cumulatively affecting story as characters immersed in their own lives learn of Zacar°as's death, travel to Miami for the funeral, and, at the service and after, decide it's time to resolve their difficulties. Laura Torres, until she learned of her husband's death, felt that her daily ``routines had become ones of boredom,'' enlivened only by pretending ``she had her family back at the house, reunited for dinner''; Laura's sister, Maura, married to Zacar°as's twin brother Norberto, drinks because it makes ``the bad thoughts go away'' and helps her forget a promising past ended by a tragic accident and exile; Maura's only daughter, free-spirited Celia, who lives with an artist, hates her teaching job and her mother's drinking; Eleanor, the family matriarch, no longer feels needed. And then there are Laura's four children: Sammy is unhappily married to neurotic Gisell; Sof°a wants to divorce her rich Argentinean husband; Beatriz is not sure she's ready to marry eligible Lorenzo; and Christina wants to be a photo artist but is uncertain of her talent. But by the time the funeral is over, as Maura tells Celia, ``things are going to change now.'' An insightful portrait of families, in the shadow of death and exile, behaving with commendable grace and compassion.

Pub Date: Sept. 1, 1995

ISBN: 1-55885-143-7

Page Count: 250

Publisher: Arte Público

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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