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EARLY ONE MORNING

At a moment when families around the globe are being upturned by organized aggression and civil war, Baily offers a...

Vivid and freshly cast family drama that draws on the experience of civilians who came to the aid of Italy’s Jews during the Nazi occupation.

Though other points of view enter the narrative, it’s spry, chain-smoking, never-married Signora Chiara Ravello—reliably sturdy, inwardly doubting—who holds close the cards a reader most cares about. In October 1943, while preparing to evacuate Rome with her mentally impaired sister, Chiara saved a Jewish boy (with his mother’s collusion) from almost certain death under the very noses of German police who were rounding up his family for deportation. Flash-forward to the 1950s, when Daniele, the boy she rechristened and raised as her own kin, enters rebellious puberty and stumbles on Chiara’s other secret—a terrible one. Before she can form an acceptable explanation, he's gone from her life. As the narrative zigzags between past, near-past, and present, we're introduced to a colorful legion of minor characters, only two of whom have an inkling of Chiara’s involvement with anti-fascist partisans, her wrenching wartime sacrifice, or the reason for Daniele’s disappearance: Father Antonio, Chiara's old friend and colleague at the pontifical library where she works as a translator; and charismatic, intellectual Simone, her dead father’s former mistress. Enter Maria, a British teenager who claims to be Daniele’s child and has found Chiara's phone number on a letter. When the girl begs to spend the summer as the signora's lodger in Rome to improve her Italian, 60-something Chiara recognizes a possible path of reprieve from actions weighing on her soul: above all, she wants her life “not to be one where his name is never spoken…and this girl will be the key.”

At a moment when families around the globe are being upturned by organized aggression and civil war, Baily offers a poignant, not-too-sappy fable about surviving war’s cruelties and crushing losses and the near-miraculous feats of bonding humans are sometimes capable of.

Pub Date: Sept. 29, 2015

ISBN: 978-0-316-30039-1

Page Count: 400

Publisher: Little, Brown

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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