An experimental multimedia hymn about delving into one’s self, seeking love without labels.
A young man explores his sexuality while the Hindu gods play out their long drama throughout his life.
Getting it on isn’t easy for the most grounded of young people, let alone a gender-conflicted queer boy growing up in the wilds of Canada at a time when “You’re gay!” was hurled as the most hurtful of insults. Composed by multihyphenate pop star Shraya (God Loves Hair, 2011), this fable is punctuated by Biesinger's lurid illustrations of Hindu deities like Pavarti, Vishnu and Ganesha, who also figure prominently in the narrative. The young man who drives the story is struggling with his body, his mind, his sexuality and his self-esteem. Unfortunately, Shraya is often imprecise. One of the narrator’s friends is dubbed “The Only Other Gay.” Eventually, the young man meets “She,” a girl with whom he almost accidentally starts a relationship. Studded with early 1990s pop-culture references, the novel sets the narrator’s confusion in a time before the rigid bonds of gender identification finally started to yield (somewhat). In the background, the myths of the Hindu gods play out as a kind of chorus, as the humanized deities love and struggle and desire even as the narrator acts out his own confused journey. It’s interesting that he finds the underground world of gay culture nearly as confusing, rigid and arcane as the straight world. Upon telling friends about his relationship with “She,” they promptly recoil. This prompts a realization: “It occurred to him that the gays and the straights had more in common than he had considered before,” Shraya writes. “Just like the straights, the gays were intent on preserving and presenting a uniform, singular version of themselves; in this case, their gayness.” Sure, it’s a messy, experimental work, but props to Shraya for putting himself out there in such a daring way and speaking truth to power to readers all along the sexual spectrum.
An experimental multimedia hymn about delving into one’s self, seeking love without labels.Pub Date: Oct. 14, 2014
ISBN: 978-1-55152-560-0
Page Count: 128
Publisher: Arsenal Pulp Press
Review Posted Online: Oct. 1, 2014
Kirkus Reviews Issue: Oct. 15, 2014
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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