This fine third Oliver title from French and Bartlett (Oliver’s Fruit Salad, 1998, etc.) again takes up the themes of exploration and good times in the world of food. Here, Oliver’s aunt is aghast to find him slurping orange soda for breakfast. He tries to explain, but his aunt cuts him off: “ ‘You don’t like milk!’ . . . ‘What you need is one of my yummy milk shakes.’ ” So Aunt Jen, Cousin Lily, and Oliver shuffle off to a farm to gather the makings of a milkshake and a fun day. They meet roosters, pigs, cows, lambs, and goats; with each meeting they reel out a little bit more of their milkshake description, from “yummy scrummy fruity milk shake” to “yummy scrummy fruity frothy icy nicy tip-top tasty dreamy creamy milk shake.” Then Aunt Jen learns that Oliver actually does like milk—he had just grabbed the orange soda because he had used all the milk on his cereal—but milkshakes have his attention now. Big moon heads, paint-box bright colors, a somewhat child-like smeary gouache medium, and a feather-light story will grab and hold the attention of the youngest readers and surely inspire a trip to a farm. (Picture book. 3-6)
Pub Date: May 1, 2001
ISBN: 0-531-30304-7
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
A snappy rhyming text celebrates an extended family’s joyous gyrations to the jazz spinning on the turntable. From waking to sleep, Baby’s right in the thick of it, as siblings, grandparents and cousins move and groove: “So they BOOM-BOOM-BOOM / and they HIP-HIP-HOP / and the bouncin’ baby boogies with a BOP-BOP-BOP.” Wheeler’s verse scans beautifully and begs to be read aloud—danced to, even—making this a fine choice for preschool and kindergarten story times. Christie’s bold, double-paged gouache compositions locate this colorfully garbed, expressively hip family within an equally vibrant community. As Baby’s big dark eyes get glassy with fatigue, the party winds down. “Daddy sings blues. / Mama sings sweet. / While that snoozy-woozy baby . . . / . . . sleeps deep, deep, deep.” Exultant and infectious, from the red-and-yellow-striped endpapers to the final “OH YEAH!” (Picture book. 3-6)
Pub Date: Nov. 1, 2007
ISBN: 978-0-15-202522-9
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
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