An engrossing, intimate, and deeply empathetic portrayal of a brilliant and enigmatic woman. The book won the 2009 Prix...
Exploring the palimpsest of a literary life.
Forrester (The Economic Horror, 1999, etc.), a French journalist, novelist, critic, and translator who died in 2013, has created a nuanced, impassioned portrait of Woolf (1882-1941) refracted through her most intimate relationships: notably, with her parents, Julia Duckworth and Leslie Stephen; her husband, Leonard; and her sister, Vanessa. Noting that there are many detailed studies of Woolf, Forrester is interested not in reprising the trajectory of her subject’s life and work but rather in rescuing her from “countertruths” perpetuated by “all the entangled lives, the secrets, the lies, the dramatic misunderstandings” that emerged from memoirs, letters, diaries, and some of her biographers. She particularly excoriates Quentin Bell, Woolf’s nephew and first biographer, for his “condescending tone, speaking of his aunt while scotomizing the writing, whose work, as he was fond of admitting coyly, he did not know very well.” In the “quasi-official account of her life,” Bell portrayed Woolf as sexually frigid, emotionally fragile, and often mad. Forrester, however, reads wild sensuality in her work, and she blames Leonard for quashing her desires. As Forrester sees him, Leonard was obsessive and neurotic, projecting onto his wife “what worried him about himself.” He insisted that she was an invalid needing rest and isolation; he forced upon her a daily glass of milk, which Virginia despised. He also took her to many doctors, eliciting their opinions about whether she should have a child. There was no consensus, but he and Vanessa decided it would be better if she did not. Forrester convincingly argues that calling Woolf “mad” is “a dangerous simplification”; instead, the author sees her anguish and rage precipitated by “clearly definable causes” such as “the despotic brutality with which she has…been denied children.”
An engrossing, intimate, and deeply empathetic portrayal of a brilliant and enigmatic woman. The book won the 2009 Prix Goncourt in France.Pub Date: May 19, 2015
ISBN: 978-0-231-15356-0
Page Count: 240
Publisher: Columbia Univ.
Review Posted Online: Feb. 23, 2015
Kirkus Reviews Issue: March 15, 2015
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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