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VIRGINIA WOOLF

A PORTRAIT

An engrossing, intimate, and deeply empathetic portrayal of a brilliant and enigmatic woman. The book won the 2009 Prix...

Exploring the palimpsest of a literary life.

Forrester (The Economic Horror, 1999, etc.), a French journalist, novelist, critic, and translator who died in 2013, has created a nuanced, impassioned portrait of Woolf (1882-1941) refracted through her most intimate relationships: notably, with her parents, Julia Duckworth and Leslie Stephen; her husband, Leonard; and her sister, Vanessa. Noting that there are many detailed studies of Woolf, Forrester is interested not in reprising the trajectory of her subject’s life and work but rather in rescuing her from “countertruths” perpetuated by “all the entangled lives, the secrets, the lies, the dramatic misunderstandings” that emerged from memoirs, letters, diaries, and some of her biographers. She particularly excoriates Quentin Bell, Woolf’s nephew and first biographer, for his “condescending tone, speaking of his aunt while scotomizing the writing, whose work, as he was fond of admitting coyly, he did not know very well.” In the “quasi-official account of her life,” Bell portrayed Woolf as sexually frigid, emotionally fragile, and often mad. Forrester, however, reads wild sensuality in her work, and she blames Leonard for quashing her desires. As Forrester sees him, Leonard was obsessive and neurotic, projecting onto his wife “what worried him about himself.” He insisted that she was an invalid needing rest and isolation; he forced upon her a daily glass of milk, which Virginia despised. He also took her to many doctors, eliciting their opinions about whether she should have a child. There was no consensus, but he and Vanessa decided it would be better if she did not. Forrester convincingly argues that calling Woolf “mad” is “a dangerous simplification”; instead, the author sees her anguish and rage precipitated by “clearly definable causes” such as “the despotic brutality with which she has…been denied children.”

An engrossing, intimate, and deeply empathetic portrayal of a brilliant and enigmatic woman. The book won the 2009 Prix Goncourt in France.

Pub Date: May 19, 2015

ISBN: 978-0-231-15356-0

Page Count: 240

Publisher: Columbia Univ.

Review Posted Online: Feb. 23, 2015

Kirkus Reviews Issue: March 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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