MAN FROM THE USSR & OTHER PLAYS

AND OTHER PLAYS

Two essays on drama highlight this rather marginal contribution to the Nabokov oeuvre—and Nabokov approaches theater in a dismissive, acerbic humor, much as he approached Russian literature in the recently published Lectures. Nabokov asks, conservatively, for the absolute retention of a single crucial dramatic convention, regarding spectators and the play onstage: "The first is aware of the second but has no power over it. The second is unaware of the first, but has the power of moving it. Broadly speaking, this is very near to what happens in the mutual relations between me and the world I see, and this too is not merely a formula of existence, but also a necessary convention without which neither I nor the world could exist." And, conversely, less persuasively, Nabokov sees tragedy—ever since Lear, Hamlet, and Gogol—as being hobbled by conventional cause-and-effect, deaf to accident: "What even the greatest playwrights have never realized is that chance is not always stumbling and that the tragedies of real life are based on the beauty of the horror of chance—not merely on its ridiculousness." The four plays here, however, embody Nabokov's rules-for-drama to, at best, a very limited degree. Two one-acters in verse—about Capt. Scott at the Pole, about a chance reunion between an executioner and one of his almost-victims—are thin and shapeless. The two longer plays, both set in Russian-ÉmigrÉ milieux, do illustrate a vaguely comic apprehension mixed with self-dramatization: the title drama concerns ÉmigrÉ fears about a possible Soviet agent; a comedy, The Event, involves a painter in fear of being shot once again by the man (his wife's ex-lover) who has already tried to kill him. Indifferent playwrighting, mildly provocative essays: a minor addition to the Nabokov shelf.

Pub Date: Nov. 21, 1984

ISBN: 0156569450

Page Count: 352

Publisher: Harcourt Brace Jovanovich

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Oct. 15, 1984

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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