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BORIS YELTSIN

Name: BORIS YELTSIN
Author: Vladimir Solovyov
ISBN: 0-399-13715-7

A POLITICAL BIOGRAPHY

by Vladimir Solovyov & Elena Klepikova ‧ RELEASE DATE: March 30, 1992

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An intriguing and potentially controversial biography of the new President of Russia, by husband-and-wife Russian ÇmigrÇs Solovyov and Klepikova (Behind the High Kremlin Walls, 1986; Yuri Andropov, 1983). Skipping lightly over Yeltsin's early years, the authors concentrate on his conflict with Gorbachev and the Communist Party. While strongly supportive of Yeltsin (``a man of truly heroic stature'') and critical of Gorbachev (``a 60-year-old man made of Silly Putty''), their approach is sober and informed. Yeltsin and Gorbachev were born a month apart, the authors tell us, both the issue of generations of peasants and both hailing from villages remote from Moscow. But while Gorbachev grew to enjoy luxury and to cling to the Communist Party almost to the end, Yeltsin proved himself sternly incorruptible (during his tenure as Moscow Party boss, he traveled to work on the crowded subway) and made his mark as the first dissident from within the Kremlin, the first to leave a high Party position voluntarily, and the first to lead a popular revolt against the Party. Solovyov and Klepikova describe Yeltsin as sociable, noisy, effusive, a bit of a showoff, provincial and proud of it, but with ``extraordinary political instincts.'' The most controversial aspect of the authors' reportage, though, lies in their coverage of the August coup and the evidence they present that Gorbachev may even have been responsible for it (they cite key KGB sources, for example, who claim that Gorbachev's communications at his dacha were not, in fact, cut off). The authors conclude that they ``dare not close this book on an optimistic note,'' but they leave a sense that if anyone can triumph over chaos in Russia, it may be Yeltsin. Often disjointed and disorganized, as if hastily prepared, but providing remarkable insight into the conflicts in the Soviet Union and the quality of the man who has been called upon to deal with them.

Pub Date: March 30, 1992

ISBN: 0-399-13715-7

Page Count: 320

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1992

Categories:

GENERAL NONFICTION

- BOOK REVIEW
ZHIRINOVSKY
by Vladimir Solovyov & Elena Klepikova

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.