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BALLAD OF MY FEARLESS HEROINE

CANCER, BE NOT PROUD

A heartbreaking and empathetic chronicle of one family’s health crisis and its aftermath.

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A widower fondly remembers his beloved wife’s life and legacy and his own struggle with grief.

Retired pediatrician Tsesis lovingly describes meeting his future spouse, Marina, whom he calls “the heroine of this book,” in the southern Ukrainian port city of Odessa in 1962, when he was 21 and a fifth-year medical student. Although college student Marina was a few years younger, the pair shared common interests in literature and music, and their relationship blossomed as Tsesis began his pediatrician practice in Moldova. Marriage and children soon followed as the author’s career thrived and his wife worked as a research physicist. In addition to chronicling his marriage, Tsesis also comments on his frustrations as a children’s health care provider, noting the “utter backwardness of the Soviet medical system,” which motivated him to uproot his family and immigrate to America in 1974. The book skips ahead decades to 2005, when Marina’s yearly mammogram appointments made the author fearful, as she’d had a benign breast fibroadenoma for years. She was now in her early 60s and had no abnormalities detected in prior examinations, but he was still anxious, as his own parents both died of cancer. His fears were sadly realized when Marina was diagnosed with advanced-stage metastatic breast cancer; her treatment included a radical mastectomy and chemotherapy. Throughout the experience, he writes, the couple maintained their dedication and loving devotion to each other.

The book’s second half is a journal chronicling Marina’s extensive oncological treatment plan, its disabling side effects, and a seven-year remission, which she celebrated with Tsesis and their grandchildren and extended family. However, in 2012, at age 69, a “scary bouquet” of cancers attacked her lungs, bones, and vital organs. The author recounts Marina’s optimistic fight for life, effectively highlighting her strength throughout the ordeal; she died in 2018. Tsesis insightfully writes about the final days from a medical professional’s perspective, noting that for some, disease becomes so profound that “the only choice left to critically sick patients is to submit to expecting their destiny.” His wife’s death also carried physical consequences for the author; his grief and anxiety became chronic and contributed to physical maladies. He notes that his spirituality, his vivid, happy memories, and his emotional strength helped him to endure the crushing loss, and he helpfully explains his recovery in detail. Overall, Tsesis offers a heart-rending account of marriage and enduring love. However, he also shows keen interest in easing the experiences of readers who may be overwhelmed by the trauma of losing a loved one to cancer or who foresee themselves enduring such a situation in the near future. His expression of compassionate care throughout this work includes sage advice on processing and coping with grief through a unique 12-step initiative he developed—from accepting that a lost loved one would not want survivors to suffer to taking inspiration from one’s belief in a higher power—as well as counsel on navigating moments of vulnerability and guilt.

A heartbreaking and empathetic chronicle of one family’s health crisis and its aftermath.

Pub Date: April 8, 2022

ISBN: 978-1-68515-960-3

Page Count: 254

Publisher: Palmetto Publishing

Review Posted Online: June 29, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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