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BALLAD OF MY FEARLESS HEROINE

CANCER, BE NOT PROUD

A heartbreaking and empathetic chronicle of one family’s health crisis and its aftermath.

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A widower fondly remembers his beloved wife’s life and legacy and his own struggle with grief.

Retired pediatrician Tsesis lovingly describes meeting his future spouse, Marina, whom he calls “the heroine of this book,” in the southern Ukrainian port city of Odessa in 1962, when he was 21 and a fifth-year medical student. Although college student Marina was a few years younger, the pair shared common interests in literature and music, and their relationship blossomed as Tsesis began his pediatrician practice in Moldova. Marriage and children soon followed as the author’s career thrived and his wife worked as a research physicist. In addition to chronicling his marriage, Tsesis also comments on his frustrations as a children’s health care provider, noting the “utter backwardness of the Soviet medical system,” which motivated him to uproot his family and immigrate to America in 1974. The book skips ahead decades to 2005, when Marina’s yearly mammogram appointments made the author fearful, as she’d had a benign breast fibroadenoma for years. She was now in her early 60s and had no abnormalities detected in prior examinations, but he was still anxious, as his own parents both died of cancer. His fears were sadly realized when Marina was diagnosed with advanced-stage metastatic breast cancer; her treatment included a radical mastectomy and chemotherapy. Throughout the experience, he writes, the couple maintained their dedication and loving devotion to each other.

The book’s second half is a journal chronicling Marina’s extensive oncological treatment plan, its disabling side effects, and a seven-year remission, which she celebrated with Tsesis and their grandchildren and extended family. However, in 2012, at age 69, a “scary bouquet” of cancers attacked her lungs, bones, and vital organs. The author recounts Marina’s optimistic fight for life, effectively highlighting her strength throughout the ordeal; she died in 2018. Tsesis insightfully writes about the final days from a medical professional’s perspective, noting that for some, disease becomes so profound that “the only choice left to critically sick patients is to submit to expecting their destiny.” His wife’s death also carried physical consequences for the author; his grief and anxiety became chronic and contributed to physical maladies. He notes that his spirituality, his vivid, happy memories, and his emotional strength helped him to endure the crushing loss, and he helpfully explains his recovery in detail. Overall, Tsesis offers a heart-rending account of marriage and enduring love. However, he also shows keen interest in easing the experiences of readers who may be overwhelmed by the trauma of losing a loved one to cancer or who foresee themselves enduring such a situation in the near future. His expression of compassionate care throughout this work includes sage advice on processing and coping with grief through a unique 12-step initiative he developed—from accepting that a lost loved one would not want survivors to suffer to taking inspiration from one’s belief in a higher power—as well as counsel on navigating moments of vulnerability and guilt.

A heartbreaking and empathetic chronicle of one family’s health crisis and its aftermath.

Pub Date: April 8, 2022

ISBN: 978-1-68515-960-3

Page Count: 254

Publisher: Palmetto Publishing

Review Posted Online: June 29, 2022

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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