by V.T. Bidania ‧ RELEASE DATE: Jan. 13, 2026
A lyrical, heartfelt account of personal growth and endurance.
Bidania distills her family’s experiences as refugees into resonant historical fiction.
It’s 1975, and Gao Sheng lives “in a sunny mountain town” in Pao Kao, Laos, in a house with plenty of room for her extended family: nine adults and 11 kids. Eleven-year-old Gao Sheng silently, obediently helps with cooking, shopping, and child care: “This is what’s expected / of the oldest daughter.” When the communists take over, her father’s army service alongside Americans puts the family at risk, forcing them to flee. The scattered clan members endure separation, survive two Thai refugee camps, and start new lives in America. Gao Sheng is an insightful witness, keenly aware of her 8-year-old brother’s elevated status just because he’s male, while she’s overlooked: “My arms drop to my sides, / limp and wilted.” Despite disappointments, she’s steadfast in fulfilling her mature responsibilities. But when she finally refuses to keep quiet—“Today / I will be loud / I will show my strength”—her family sees and eventually acknowledges and proudly appreciates her. An epilogue describes Gao Sheng’s arrival in Wisconsin with her parents and siblings. The candid verse deftly grounds precious experiences in tangible reminders—peach seeds that Gao Sheng saves to plant “someday, / when the country is at peace,” and soft buns that taste “like sugar and happiness.” With inviting vulnerability, Bidania transforms her war-torn past into a rallying cry to “build empathy, curiosity, and awareness.”
A lyrical, heartfelt account of personal growth and endurance. (author’s note, photos) (Verse historical fiction. 10-14)Pub Date: Jan. 13, 2026
ISBN: 9780593697207
Page Count: 432
Publisher: Nancy Paulsen Books
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by V.T. Bidania ; illustrated by Dara Lashia Lee
by Lois Lowry ; illustrated by Kenard Pak ‧ RELEASE DATE: April 7, 2020
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lois Lowry ; illustrated by Jonathan Stroh
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PROFILES
by Shelley Pearsall ‧ RELEASE DATE: Sept. 8, 2015
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)
Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.
Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)Pub Date: Sept. 8, 2015
ISBN: 978-0-553-49728-1
Page Count: 288
Publisher: Knopf
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
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by Shelley Pearsall ; illustrated by Xingye Jin
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