A bright, comprehensive horticultural celebration written with a fine eye for detail.




Scrupulous history of American gardens and the imaginative creators who made them possible.

Los Angeles–based garden designer and environmental writer Graham shares a wealth of knowledge on the genesis and development of America’s most striking landscapes. Each a “miniature Utopia,” these leafy environs are a reflection of their respective architects. The author ardently describes the first garden creations of the 1600s, then moves on to the Arts & Crafts romantic naturalism movement in the mid-19th century and Martha Stewart’s unique brand of house-and-garden style, which is interwoven with business savvy and “controlled enthusiasm.” Graham’s visit to the panoramic “founding garden” of Thomas Jefferson’s Monticello, derived from British poet Alexander Pope’s “cutting-edge” landscaping approach, provides an intimate history of the third president’s life and boundless passion as a dedicated architecture and flora aficionado. The planned landscaping influence of “aesthetic giant” Andrew Jackson Downing paved the way for the blossoming genius of Frederick Law Olmsted, who, in collaboration with architect Calvert Vaux, brought “country to the city” in the redesign of New York’s Prospect Park and Central Park and Boston’s Emerald Necklace, among others. Graham points to the greening of New York’s Chelsea and West Village neighborhoods, the installation of Manhattan’s unique aerial greenway, High Line Park, and Michelle Obama’s White House kitchen garden as examples of a modern “return to agriculture” movement. Accented by paintings, photographs and drawings, the author’s appealing commentary introduces a distinctive line of gardeners and foliage engineers whose work has become timeless.

A bright, comprehensive horticultural celebration written with a fine eye for detail.

Pub Date: April 5, 2011

ISBN: 978-0-06-158342-1

Page Count: 480

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 30, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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