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IT'S ALL RELATIVE

A MEMOIR OF TWO FAMILIES, THREE DOGS, 34 HOLIDAYS, AND 50 BOXES OF WINE

An unbalanced collection of occasionally humorous essays that rarely strike an emotional chord.

A memoir of comedic holiday misadventure.

Memoirist Rouse (At Least in the City Someone Would Hear Me Scream: Misadventures in Search of the Simple Life, 2009, etc.) mashes up a lifetime of holiday debacles into a single book. Virtually every known celebration—from Christmas to Arbor Day—is exploited for humor's sake, and the author relies primarily on quick wit and artistic license to evoke a response from the reader. The results are mixed, particularly due to Rouse’s insistence on alienating much of his readership. To be fair, no one is spared the sharp barbs of his jokes—not rural family members, the obese, the ugly, or even Helen Keller—though some readers could interpret this oversimplification of humanity as a form of elitism or snobbery. When describing his chivalrous decision not to drink in front of his recovering-alcoholic partner, he wrote that to do otherwise would be “like those husbands who continue to bring their eight-hundred-pound wives honey buns and two-liter jugs of Mountain Dew before…their spouses are airlifted out of the trailer park.” Similarly, his pronouncement that “[i]f there is not a quality coffeehouse every one hundred feet, you're either driving in rural America or visiting a place you need to get the hell out of” is further fodder for anti-elitists. Rouse is most successful when he shows his heart alongside his humor. In “The Wonder Years,” he discusses how he and his partner opened their home for a dying dog, forcing them to glimpse their own mortality in the process, and “My Holiday Miracle” explores Rouse's attempt at comforting his mother as she nears death. Both of these essays offer rare, unrestricted access into the author’s emotional world.

An unbalanced collection of occasionally humorous essays that rarely strike an emotional chord.

Pub Date: Feb. 1, 2011

ISBN: 978-0-307-71871-6

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 13, 2010

Kirkus Reviews Issue: Nov. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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