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GO BACK TO WHERE YOU CAME FROM

AND OTHER HELPFUL RECOMMENDATIONS ON HOW TO BECOME AMERICAN

A Pakistani American memoir that shines with passion, intelligence, and humor.

A Pakistani American journalist, playwright, and activist uses his personal history as a tool to analyze how America’s relationship with Muslims, immigrants, and people of color has developed since the 1980s.

Born to Pakistani parents, Ali grew up in a loving, multigenerational Muslim home in the Bay Area. The author’s idyllic life abruptly shifted when he was in college because of two earth-shattering events. The first was 9/11, which instantly transformed him into “an accidental activist, a global representative of 1.8 billion Muslims worldwide and a walking Wikipedia of 1,400 years of all things Islam.” During this time, Ali and his fellow Muslim Student Association board members organized a series of events designed to combat Islamophobia on campus—events that, unwittingly, kick-started Ali’s career in media. Soon after, Ali’s family suffered a more personal tragedy when his parents were incarcerated for their alleged role in a wire and mail fraud scheme—though they “had nothing to do with the piracy ring itself.” Ali credits the following two decades of struggle for his family’s politicization and his eventual career as a successful playwright and essayist focused on writing a new story for his unfairly maligned community. The author’s views on racism and Islamophobia are deeply researched, nuanced, and clear, and he is adept at weaving these ideas into his life story organically and without pretense. His conversational voice renders even the most complex concepts a pleasure to read. The only exception is the set of chapters on his family’s incarceration. Tonally, these read quite differently than the rest of the book, perhaps due to the highly emotional nature of the material. While Ali structures the chapters as a series of tips about how to be American, what truly unifies his story is his vulnerability in sharing some of the most intimate and painful moments of his life.

A Pakistani American memoir that shines with passion, intelligence, and humor.

Pub Date: Jan. 25, 2022

ISBN: 978-0-393-86797-8

Page Count: 256

Publisher: Norton

Review Posted Online: Oct. 1, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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