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CROSSING TO SAFETY

Name: CROSSING TO SAFETY
Author: Wallace Stegner
ISBN: 037575931X

by Wallace Stegner ‧ RELEASE DATE: Sept. 21, 1987

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Stegner takes a long look back—at four decades of a foursome's life—in a novel that at moments is beguiling, though at others it labors for its theme. Larry Morgan and his wife Sally are young westerners who, one day in Depression-poor 1937, arrive in Madison, Wisconsin, where Larry is to take a one-year teaching post at the University of Wisconsin. Their lives are charmed and transformed when they become friends with Charity and Sid Lang, rich easterners whom the star-struck Morgans take to be the epitome of privilege, grace, and culture. A bosom friendship is formed between the two couples that is to last a lifetime, although that lifetime itself isn't to turn out as ideally as hoped. Success as a writer comes early to Larry Morgan, but his wife Sally is stricken by polio and made permanently a cripple. The elegant Sid Lang, meanwhile, is fired from his post at Madison, with the result that he and Charity (with children) are forced into retreat in the family's Kennedy-esque estate at Battell Pond, Vermont. There they wait out the years of WW II, and there it becomes increasingly clear (in the best sections of the book, which are rich, sure in tone, and reminiscent of, say, the reverberant delicacies of The Good Soldier) that the good Sid is in reality a weak and intellectually hapless man, and that wife Charity is in fact ruthlessly class-driven and relentlessly domineering. The novel ends in 1972, with a macabre reunion of the four friends in Vermont, as Charity orchestrates her own death (of cancer), compelling the others, in their varyingly crippled or exhausted states, to behave in the ways she sees as order-affirming and proper. Widely ambitious, the novel brings vividly to life certain quintessential moments and ideas—the idealistic moment between the Depression and WW II; the poetry-and-backpack rigor of the old New England intelligentsia. But Stegner clings to his theme of undying friendship beyond the point where his material keeps it alive, leading him to an often visibly artificial and conventionalized effort to push things along to their end. In all, less moving as a whole piece than highly remarkable for the fine penetration and achievement of some of its moments.

Pub Date: Sept. 21, 1987

ISBN: 037575931X

Page Count: 372

Publisher: Random House

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Aug. 15, 1987

Categories:

GENERAL FICTION

- BOOK REVIEW
ON TEACHING AND WRITING FICTION
by Wallace Stegner

- BOOK REVIEW
THE UNEASY CHAIR
by Wallace Stegner

- BOOK REVIEW
MARKING THE SPARROW'S FALL
by Wallace Stegner

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

- BOOK REVIEW
THE LAND OF SWEET FOREVER
by Harper Lee ; edited by Casey Cep

- BOOK REVIEW
GO SET A WATCHMAN
by Harper Lee

- SEEN & HEARD
The Snowy Day Is NYC Library’s Most Popular Book

- SEEN & HEARD
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- SEEN & HEARD
NYT Readers Voting on Best Book of Past 125 Years

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

by Larry McMurtry ‧ RELEASE DATE: June 1, 1985

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This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.