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CROSSING TO SAFETY

Stegner takes a long look back—at four decades of a foursome's life—in a novel that at moments is beguiling, though at others it labors for its theme. Larry Morgan and his wife Sally are young westerners who, one day in Depression-poor 1937, arrive in Madison, Wisconsin, where Larry is to take a one-year teaching post at the University of Wisconsin. Their lives are charmed and transformed when they become friends with Charity and Sid Lang, rich easterners whom the star-struck Morgans take to be the epitome of privilege, grace, and culture. A bosom friendship is formed between the two couples that is to last a lifetime, although that lifetime itself isn't to turn out as ideally as hoped. Success as a writer comes early to Larry Morgan, but his wife Sally is stricken by polio and made permanently a cripple. The elegant Sid Lang, meanwhile, is fired from his post at Madison, with the result that he and Charity (with children) are forced into retreat in the family's Kennedy-esque estate at Battell Pond, Vermont. There they wait out the years of WW II, and there it becomes increasingly clear (in the best sections of the book, which are rich, sure in tone, and reminiscent of, say, the reverberant delicacies of The Good Soldier) that the good Sid is in reality a weak and intellectually hapless man, and that wife Charity is in fact ruthlessly class-driven and relentlessly domineering. The novel ends in 1972, with a macabre reunion of the four friends in Vermont, as Charity orchestrates her own death (of cancer), compelling the others, in their varyingly crippled or exhausted states, to behave in the ways she sees as order-affirming and proper. Widely ambitious, the novel brings vividly to life certain quintessential moments and ideas—the idealistic moment between the Depression and WW II; the poetry-and-backpack rigor of the old New England intelligentsia. But Stegner clings to his theme of undying friendship beyond the point where his material keeps it alive, leading him to an often visibly artificial and conventionalized effort to push things along to their end. In all, less moving as a whole piece than highly remarkable for the fine penetration and achievement of some of its moments.

Pub Date: Sept. 21, 1987

ISBN: 037575931X

Page Count: 372

Publisher: Random House

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Aug. 15, 1987

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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