Flimsy and barely entertaining.
Lightweight holiday fare in the entirely predictable subgenre of What Else Can Go Wrong at the Christmas Pageant?
Lamb (The Hour I First Believed, 2008, etc.) takes half the novel just to get around to Yuletide. Up until that time, he lays sometimes laborious, sometimes lighthearted groundwork at the Aloysius Gonzaga Parochial School of New London, Conn., in the fall of 1964. It seems that Sister Dymphna has had a serious emotional meltdown in front of her class, necessitating the arrival of fearsome but charismatic Madame Marguerite Frechette, a Québécoise whose gifts include directing plays—or in this case a set of tableaux vivants for the school’s Christmas production. Fifth-grader Felix Funicello is both narrator and imp of the perverse. And yes, his family is related to the renowned Annette Funicello, whose posters adorn the walls at the bus-depot lunch counter Felix’s father runs. (At one point the boy has to confess to a priest that he French-kissed the sexy poster of Annette in her How to Stuff a Wild Bikini phase.) Bad luck stalks Felix like an obstinate shadow, especially as three big events are beginning to intersect in his life: the aforementioned Christmas program, his mother’s appearance as a finalist in the Pillsbury Bake-Off (her recipe: Shepherd’s Pie Italiano) and Felix’s TV debut on The Ranger Andy Show. Readers obviously collude in the deal, for they know that nothing good will happen on any of these fronts. Sure enough, the pageant performers embarrass themselves and their parents with inappropriate off-the-cuff witticisms; Ma gets the trots during her appearance on Art Linkletter’s show (the shepherd’s pie burns); and Felix tells Ranger Andy an off-color joke that of course is carried live on local networks. Our narrator has two foils here: the egregiously obnoxious Rosalie Twerski (aka “Turdski”), who desperately wants the part of Mary in the pageant, and the exotic Zhenya Kabakova, newly arrived from Russia and suspected (by Rosalie) of being a communist.
Flimsy and barely entertaining.Pub Date: Dec. 1, 2009
ISBN: 978-0-06-194100-9
Page Count: 276
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2009
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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