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MEANT TO BE

THE TRUE STORY OF A SON WHO DISCOVERS HE IS HIS MOTHER’S DEEPEST SECRET

Self-help and grit vividly affirmed.

A lean, readable, and sanguine memoir celebrating an adult rite of passage.

In brief, briskly paced chapters explaining how he finally came to meet his biological father, former Parade magazine editor Anderson frequently pauses to interject Deep Thoughts and Philosophical Questions. “Why is God unfair?” “How can I marry Loretta?” “Elie [Wiesel] understands, Mom. This hurts more than I expected.” (This last as he looks at his dead mother.) These literary public-service announcements interrupt rather than enhance a remarkable story. Only after his father died could 21-year-old Anderson finally ask his mother the question that had bothered him since childhood: who was his father? The man who had just died beat Anderson so often that the promising student left school early and joined the Marines to get away from home. He’d always sensed that he was different from his two older siblings, both in temperament and appearance, and his mother confirmed these feelings. His real father, she told him, was Albert Dorfman, a Jewish co-worker with whom she had an affair during WWII while her husband was fighting in Europe. Recalling his tough childhood in an equally tough neighborhood, his experiences as a sergeant in Vietnam, and the hardships following his return (protests against the war, he believes, made finding a job difficult), Anderson also details his alienation and anger during those years. Learning the truth helped; he attended college, found work at a newspaper, and married happily. Because his mother had made him promise not to tell his siblings about her affair, he only felt free to find his real father after they died in middle age. All ends well as families meet and bond, and Anderson, no longer angry, finds meaning in his life.

Self-help and grit vividly affirmed.

Pub Date: Sept. 1, 2003

ISBN: 0-06-009906-2

Page Count: 256

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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