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TALES OF A DEAD KING

Rudimentary skulduggery on an Egyptian archaeological dig—for kids who take to Myers' no-frills storytelling, simple set-ups, and good sense. Teens John Robie and Karen Lacey find themselves at a seedy Aswan hotel—with only a mysterious note to explain the absence of Dr. Erich Leonhardt, John's unknown archaeologist great-uncle. Egyptian-enthusiast John, less put-out than archaeology-buff Karen, is more inclined to stick around; he also gives a thought to the family connection. But signs that "someone doesn't want us hanging around" keep stubborn smartie Karen on the spot too. The enusing one-upmanship between the two, conveyed with a shade of self-mocking rue from John's viewpoint, is the story's strongest feature—though Myers does craftily manage a tie-in with the Tutankhamun show (supposed source of John's interest) and with some basic Egyptology: the unknown site of monotheist Akhenaton's modest burial. John guesses that the nonexistent ship Sibuna, mentioned in Dr. Leonhardt's letter, stands for Anubis, the Egyptian god of the underworld—meaning that somebody was after, him. Karen reasons from his note-paper (never mind, flimsily, how) that the professor is still around; she remembers that "an Ahmed somebody" was said to have been helping him; she deduces from a letter that the professor had been set back by not receiving a grant from the University of Chicago—hence his need for the two of them. But—John and Karen, together: Didn't the professor's search sound like Tutankhamun-tomb-finder Howard Carter's reference to "the last great mystery of the period"—i.e., the site of Akhenaton's burial? Didn't Akhenaton have Nubian connections, from around Aswan? Isn't the elusive Ahmed supposed to be a Nubian? Dr. Leonhardt is found, the tomb properly isn't—and had it been, the professor notes, it would have held no treasure: the greedy kidnappers had nothing to gain. As for John and Karen, a little real archaeological work is in the offing. "I'd really dig that," says John—(almost) bringing down the curtain on a consciously, likably corny note. Unlike more strenuous efforts, the one grows on you by degrees.

Pub Date: Oct. 12, 1983

ISBN: 0153003758

Page Count: 89

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 19, 2011

Kirkus Reviews Issue: Oct. 1, 1983

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ONCE UPON A CAMEL

For the curious, the listeners, the adventurers, the caregivers, the young, and the old.

How does one entertain two baby kestrels in the middle of a West Texas dust storm? With camel stories, of course.

Like her namesake Scheherazade, elderly camel Zada has many stories to tell from her adventurous life. It’s 1910, and she has charge of Wims and Beulah, two baby kestrels whose parents have vanished in a vicious dust storm. The threesome shelter in an empty mountain lion’s cave, waiting for safety. Zada hopes to get the chicks to the safe meeting place chosen by their parents just before a dust devil snatched them away. The evocative language is spellbinding as tales from Zada’s life calm the baby birds—and capture the interest of readers as well. The fledglings learn that Zada was raised by a Turkish pasha and gifted with eight other prized racing camels to the U.S. Army in 1856, ending up in Texas (events inspired by actual history). A delight to the senses, Zada’s stories are a descriptive wonder, featuring roiling dust, howling winds, fresh figs, and cool water, bolstering the emotions shown in Rohmann’s grayscale oil paintings. Readers will revel in both the vivid stories of Zada’s past and the rich vocabulary of Texas desert life. Appelt’s voice and pacing demonstrate her fine storytelling skills. Hearts will grow fond of this wise old camel; she is a bright star.

For the curious, the listeners, the adventurers, the caregivers, the young, and the old. (glossary, author’s note, sources) (Fiction. 8-12)

Pub Date: Sept. 7, 2021

ISBN: 978-1-5344-0643-8

Page Count: 336

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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WESTFALLEN

From the Westfallen series , Vol. 1

Compulsively readable; morally uncomfortable.

Six New Jersey 12-year-olds separated by decades race to ensure the “good guys” win World War II in this middle-grade work by the author of The Sisterhood of the Traveling Pants and her brother, a children's author and journalist.

It all starts with a ham radio that Alice, Lawrence, and Artie fool around with in 1944 and Henry, Frances, and Lukas find in 2023. It’s late April, and the 1944 kids worry about loved ones in combat, while the 2023 kids study the war in school. When, impossibly, the radio allows the kids to communicate across time, it doesn’t take long before they share information that changes history. Can the two sets of kids work across a 79-year divide to prevent the U.S.A. from becoming the Nazi-controlled dystopia of Westfallen? This propulsive thriller includes well-paced cuts between times that keep the pages turning. Like most people in their small New Jersey town, Alice, Artie, and Frances are white. In 1944, Lawrence, who’s Black, endures bigotry; in the U.S.A. of 2023, Henry’s biracial (white and Black) identity and Lukas’ Jewish one are unremarkable, but in Westfallen, Henry’s a “mischling” doing “work-learning,” and Lukas is a menial laborer. Alice’s and Henry’s dual first-person narration zooms in on the adventure, but readers who pull back may find themselves deeply uneasy with the summary consideration paid to the real-life fates of European Jews and disabled people. The cliffhanger ending will have them hoping for more thoughtful treatment in sequels to come.

Compulsively readable; morally uncomfortable. (Science fiction/thriller. 10-13)

Pub Date: Sept. 17, 2024

ISBN: 9781665950817

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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