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LEONARDO DA VINCI

Totally enthralling, masterful, and passionate, this book should garner serious consideration for a variety of book prizes.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller

A majestic biography of “history’s most creative genius.”

With many exceptional popular history books under his belt, Isaacson (History/Tulane Univ.; The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution, 2014, etc.) is close to assuming the mantle currently held by David McCullough. Here, Isaacson takes on another complex, giant figure and transforms him into someone we can recognize. The author believes the term “genius” is too easily bandied about, but Leonardo (1452-1519), from the tiny village of Vinci, near Florence, was “one of the few people in history who indisputably deserved—or, to be more precise, earned—that appellation.” He was self-taught and “willed his way to his genius.” With joyous zest, Isaacson crafts a marvelously told story “of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical.” Like a child in a candy store, Isaacson often stops to exclaim; he shares his enthusiasm, and it’s contagious. For the author, the starting point are da Vinci’s notebooks, all 7,200 pages, the “greatest record of curiosity ever created.” Da Vinci’s groundbreaking, detailed drawings charted the inner worlds of the skull, heart, muscles, brain, birds’ wings, and a working odometer, along with doodles and numerous to-do lists. In his iconic Vitruvian Man, completed when he was 38 and struggling to learn Latin, “Leonardo peers at himself with furrowed brow and tries to grasp the secrets of his own nature.” Isaacson is equally insightful with the paintings, of which there are few. The Last Supper is a “mix of scientific perspective and theatrical license, of intellect and fantasy.” Regarding the uncompleted Mona Lisa, he writes “never in a painting have motion and emotion, the paired touchstones of Leonardo’s art, been so intertwined.” As Isaacson wisely puts it, we can all learn from Leonardo.

Totally enthralling, masterful, and passionate, this book should garner serious consideration for a variety of book prizes.

Pub Date: Oct. 17, 2017

ISBN: 978-1-5011-3915-4

Page Count: 576

Publisher: Simon & Schuster

Review Posted Online: Sept. 2, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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