Serious-minded yet eminently readable historical fiction handily done.
Based on real events, this novel offers a sweeping view of politics in rural Ireland in the turbulent 1870s, focusing specifically on activist Michael Davitt and his role in the class struggle known as the Land War.
Michael Davitt has just been released from seven and a half years at Dartmoor prison, paroled from his 15-year term for felony treason against the British Crown. Although quiet and cautious from his years of solitary confinement, he is by no means chastened; straightaway he resumes his role as an agitator for chipping away at “landlordism,” the vestigial feudal system that persists in Ireland. Potato crops are failing, rents are rising, and the starving poor are being turned out of their homes just as they were during the famine of the 1840s. Davitt, everyone agrees, has the visibility and passion to help right these wrongs. Keady (The Dowry, 2006) enlivens his story with a cast of memorable characters: Mary Duddy, the housewife evicted from her land; Father O’Malley, the parish priest who must balance his love of country and commitment to the poor with his sworn allegiance to Rome; Lord Lucan, the malevolent aristocrat known as the “Old Exterminator,” and his unctuous Scottish land agent, MacAlister; Bicko, the ambivalent spy; and visionary parliamentarian Charles Stewart Parnell. The extent to which characters other than Davitt and Parnell are based on real people isn’t exactly clear, but either way, the author has laudably made them believable and engaging. Readers will find themselves fretting over what will become of Mary Duddy and her family, mentally hissing whenever MacAlister appears on the pages and rooting for Davitt to win in politics as well as love. Dealing with material that might easily become either ponderous or strident, Keady writes liltingly, with dialogue that rings true whether it’s the vernacular of Irish farmers or the measured politesse of the duchess of Marlborough. The book ends with some successes, some lingering complications and less than a third of Davitt’s life story told—a tantalizing hint, perhaps, of a sequel or two in the works.
Serious-minded yet eminently readable historical fiction handily done.Pub Date: May 29, 2012
ISBN: 978-1-4751-9082-3
Page Count: 388
Publisher: Castletree Books
Review Posted Online: Feb. 27, 2014
Kirkus Reviews Issue: April 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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