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MARY MCGREEVY

A freethinking woman turns a rural community in the west of Ireland on its head, in this quaint but unremarkable tale by Keady (Celibates and Other Lovers, not reviewed). It’s the early 1950s when Sister Mary Thomas emerges from the convent to be with her father in his last days, then drops her habit to resume life as Mary McGreevy, a red-haired, green-eyed beauty who immediately sets all the men’s hearts aflutter. She inherits the family farm and does a first-rate job of running it, while an endless stream of admirers flocks to her door. The painfully shy footballer, the middle-aged bartender, the head teacher at the local school—even the new parish priest—come knocking, and each is served with more tea and flirtation than he can handle. But Mary knows her own mind, and in spite of her winsome ways, she’s determined never to marry. This choice, unique in that time and place though it is, might have been acceptable to her neighbors . . . had she not chosen to bear a child. Her adamant refusal to name the father only fans speculation, and every one of her admirers comes to feel the heat. The schoolmaster is the first primary suspect, even though he’s recently married (to a woman who fancies Mary herself). But in time the finger of blame points to the priest—a caring, thoughtful man whose frequent visits to her farm, fueled by a private belief that Mary may be possessed, have not gone unnoticed. Denounced to the archbishop, the brokenhearted cleric is removed from his parish, and in the ensuing uproar the surprising, painful truth comes out. A fond depiction of Irish country life, but the surfeit of country characters results in more than a few caricatures. The heroine herself, for all her musical laughter and ankle-flashing, remains something of a cipher as well.

Pub Date: Sept. 1, 1998

ISBN: 1-878448-83-8

Page Count: 260

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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