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SHE NEEDED ME

Kirn's first novel relies on the same plain style and midwestern sensibility that characterized his collection of stories, My Hard Bargain (1990). It's a timely melodrama about faith and apostasy set against a bleak landscape of dying farms and bland city-life. Weaver Wolquist, a 26-year-old born-again Christian, meets Kim Lindgren, a 23-year-old aspiring greeting-card illustrator, outside a St. Paul abortion clinic. A few months pregnant, Kim decides against the operation after confronting the prostrate Weaver, a ``very proud'' member of the anti-abortion group ``The Conscience Squad.'' Impressed by Weaver's sincerity, Kim eventually befriends the former drugged-out head-banger, himself ``saved'' by the charismatic Lucas Barnes, a Prozac-popping strategist and proselytizer for the Bryce St. Church of God. Despite his religious certainty, Weaver is a reluctant salesman of Christian beauty products, and instead relies on an allowance from his widowed mother, a successful businesswoman in Wisconsin. As ``circumstances'' begin to overtake ``beliefs,'' Weaver chastely pursues his mission with Kim over the objections of the paranoid Lucas. A trip to the Lindgren family farm in North Dakota is meant to convince Kim of her righteous decision not to abort. Instead, Weaver finds her family as dysfunctional and craven as any he's met—from Kim's angry ``motorhead'' brother to her selfish parents, rich on government set-asides. The celibate Weaver finally consummates his love for kim, breaks all ties with the increasingly violent Lucas, has a reconciliation with his mother, and acknowledges he's no one's savior. As much about spiritual hunger as the abortion controversy, Kirn's straight-talking fiction contributes greatly to our understanding of the antinomian tendencies in American fundamentalism. Its very simplicity also makes it a perfect candidate for the screen.

Pub Date: Oct. 1, 1992

ISBN: 0-671-78091-3

Page Count: 240

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1992

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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