An entertaining mystery with an engaging hero and deftly handled plot twists.

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AMAZING DETECTIVE

A DETECTIVE JERICHO NOVEL

The discovery of a body on a Long Island beach leads a detective into a complex murder investigation with possible ties to drug trafficking in this novel.

A routine shift for East Hampton Deputy Chief Dispatcher Evangeline “Vangie” Clark takes an ominous turn when she receives an anonymous call about a body on the beach at Hither Hills State Park in Montauk. Detective Neil Jericho is dispatched to investigate and discovers a man’s body partially buried in a sand dune. The scene yields few clues. The man was shot in the head execution style and carried no identification. Jericho’s only clue to the victim’s identity is a wedding ring inscribed with the names Todd and Ardis. The man turns out to be Todd Winfield, a commodities broker who frequently travels to Manila for business. Jericho is initially suspicious of Todd’s wife, Ardis, especially when he learns the broker had a mistress. But the detective’s probe takes an unexpected turn when he uncovers evidence that Todd was involved in narcotics trafficking. When a second body is found at a lighthouse, Jericho wonders if both deaths are connected or if the solution to Todd’s murder is closer to home. This fifth installment of a series by Marks (Death Hampton, 2014, etc.) is a fast-paced mystery that derives its strength from the inclusion of current events. Jericho is a likable protagonist who balances dedication to his job with maintaining relationships with his daughter, Katie, and girlfriend, Rainbow. The novel opens with the murder of Todd, and Marks maintains tension throughout by introducing aspects of the broker’s life that may offer clues to his killer. A subplot involving international narcotics trafficking and Philippine President Rodrigo Duterte’s drug war is timely and similarly well-developed. Despite the book’s assets, the editing is a bit inconsistent, and the identification of Todd’s body hinges on a lucky break. The Winfields’ housekeeper is called “Marisol” and “Mirasol,” and it is convenient that the only other Ardis Winfield in the Suffolk County White Pages is too young to be Todd’s wife.

An entertaining mystery with an engaging hero and deftly handled plot twists.

Pub Date: Nov. 15, 2017

ISBN: N/A

Page Count: 171

Publisher: Top Tier Lit

Review Posted Online: Feb. 7, 2018

Kirkus Reviews Issue: April 1, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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