A finely paced crime thriller that should appeal to new and established fans of the series.
The brutal murder of a waitress leads a Long Island detective to the most complicated case of his career in this sixth installment of a series.
Detective Neil Jericho of the East Hampton Police Department is visiting his daughter, Katie, when he receives a call from his supervisor, Chief Krauss. A waitress was found murdered and Krauss wants Jericho to investigate. The victim is identified as 21-year-old Sally Espinosa Baez and an examination of her body reveals that she is a transsexual. Jericho turns to dispatcher Evangeline “Vangie” Clark for help. Vangie and her wife, Ingrid, attend meetings of the Hamptons LGBTQ Center and she can assist with the nuances of the case. The search for Baez’s next of kin leads Jericho to Phyllis Sonnenschein, an LGBTQ activist and candidate for town supervisor of East Hampton. Sonnenschein opened her home to Baez and she believes the killing is a hate crime. Evidence gathered at the homicide scene points in that direction. Meanwhile, Jericho’s girlfriend, tattoo artist Rainbow, and her business are targeted by a member of a hate group. As both cases intensify, Jericho discovers surprising secrets in Baez’s past that may hold the key to her murder. The latest installment of Marks’ (Amazing Detective, 2017, etc.) series starring Jericho deepens the development of the central characters while featuring a complex murder mystery full of surprising twists and turns. The narrative is anchored by Jericho, a dedicated detective with an unerring sense of justice. His devotion to his job cost him his marriage and he is determined not to make the same mistakes in his relationship with Rainbow. The supporting characters are equally well-developed, particularly Vangie, a 911 dispatcher who aspires to move up within the department. The investigation into the murder of Baez unfolds methodically as Jericho uncovers the tragic circumstances of her past and the mystery surrounding her death. That said, the editing is inconsistent in spots. For example, medical examiner John Alvarez is referred to as “Alvarez” and “Alvares.”
A finely paced crime thriller that should appeal to new and established fans of the series.Pub Date: Sept. 5, 2018
ISBN: N/A
Page Count: 259
Publisher: Top Tier Lit
Review Posted Online: Oct. 30, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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