An unusual writer worth discovering, flaws and all, for his humor and flair.
The late Chinese writer’s (1952-1997) comic take on oppressive regimes, large and small.
Wang was a so-called intellectual youth when he was sent from Beijing to rural Yunnan Province during China’s Cultural Revolution, which used such rustication to battle perceived bourgeois elements. A similar fate befalls 21-year-old Wang Er, his main character and narrator in this loosely structured novel, originally published as three separate novellas. The book’s opening section (which appeared in English in the collection Wang in Love and Bondage, 2007) has him recalling the Yunnan years from two decades later. He works as an ox herder but falls afoul of officialdom mainly for sleeping with a married doctor. Their affair is conveyed with an earthiness that runs throughout the book, including several mentions of Wang’s generous endowment (though that’s nothing compared to the more than 25 references in five pages to another man’s injured member). In the second section, Wang is a 30-year-old college lecturer dealing with academic bureaucracy and pettiness. In the last, he’s 40 and recalls one teacher’s romance and another’s suicide. Coming from a country known for political and cultural censorship, the book is noteworthy for its sexual candor—even amid wonderful euphemisms—and wide-ranging irreverence, abetted by a voice that is variously smart, quirky, or sarcastic. The narrative often has the casual disorder of journal entries, and the narrator sometimes calls to mind the hapless but resourceful hero of Jaroslav Hašek’s The Good Soldier Schweik, though he’s not so much the faux naif. While entertaining, however, Wang’s book suffers from unevenness in the writing, rough spots in the translation by Yan, and an overall lack of cohesion.
An unusual writer worth discovering, flaws and all, for his humor and flair.Pub Date: July 26, 2022
ISBN: 978-1-662-60121-7
Page Count: 288
Publisher: Astra House
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
Imperfect, yes, but intense, original, and smart.
A philosophical discourse inside an addiction narrative, all wrapped up in a quest novel.
Poet Akbar's debut in fiction features Cyrus Shams, a child of the Midwest and of the Middle East. When Cyrus was an infant, his mother, Roya, a passenger on a domestic flight in Iran, was killed by a mistakenly fired U.S. missile. His father, Ali, who after Roya died moved with Cyrus to small-town Indiana and worked at a poultry factory farm, has also died. Cyrus disappeared for a time into alcoholism and drugs. Now on the cusp of 30, newly sober but still feeling stuck in his college town, Cyrus becomes obsessed with making his life matter, and he conceives of a grand poetic project, The Book of Martyrs (at the completion of which, it seems, he may commit suicide). By chance, he discovers online a terminally ill Iranian American artist, Orkideh, who has decided to live out her final days in the Brooklyn Museum, having candid tête-à-têtes with the visitors who line up to see her, and Cyrus—accompanied by Zee, his friend and lover, who's understandably a bit alarmed by all this—embarks on a quest to visit and consult with and learn from her. The novel is talky, ambitious, allusive, deeply meditative, and especially good in its exploration of Cyrus as not being between ethnic or national identities but inescapably, radically both Persian and American. It succeeds so well on its own terms that the novel's occasional flaws—big coincidences, forays into other narrators that sometimes fall flat, dream-narratives, occasional small grandiosities—don't mar the experience in any significant way.
Imperfect, yes, but intense, original, and smart.Pub Date: Jan. 23, 2024
ISBN: 9780593537619
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 26, 2023
Kirkus Reviews Issue: Nov. 1, 2023
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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