Written by a man who spent 15 years flying Tomcats, and who has also served as a consultant on such films as The Hunt for...
A rousing debut tale about the jet-flying set in which heroism, high-tech expertise, and a warts-and-all look at the Navy get equal measure.
It’s that uneasy period post–Desert Storm—the US (under the UN banner) and Iraq continuing to view each other gimlet-eyed. Lieutenant Rick Reichert (“Punk” affectionately), an F-14 Tomcat pilot, is stationed in the northern Arabian Gulf, on the three-billion-dollar carrier Arrowslinger—“The Boat” in Navy parlance. And he’s disenchanted. He hates being separated from the woman he loves, particularly since he’s begun to sense that her willingness to play Penelope to his Ulysses is on the wane, distance taking its toll. Also, he distrusts and despises his Queeg-like skipper, Commander “Soup” Campbell, whose ambition is boundless and whose path to promotion is littered with the outmaneuvered, the exploited, and the more deserving. What Punk loves is the flying, and the fliers—the good people in his squadron—though embarrassing words to that effect would never cross his 25-year-old lips. After months of unproductive wariness and enervating stalemate, there’s suddenly an incident. Iraqi jets are in the sky, in the no-fly zone, and Punk and his squadron-mates are ordered to confront them. Sensing an opportunity for glory—the kind of grandstanding he’s become famous for—Commander Campbell preempts one of the junior pilots, disrupting the orderliness and efficiency of the mission. Once aloft, he quickly compounds his ineptitude, crashing his plane and almost causing the death of the RIO (radio intercept officer) flying with him. Punk, on the other hand, performs valiantly, but in one of those painful ironies that Carroll clearly regrets and just as clearly appreciates, Campbell’s career turns out to be disaster-proof.
Written by a man who spent 15 years flying Tomcats, and who has also served as a consultant on such films as The Hunt for Red October: a convincing, often amusing, surprisingly unflinching account of those who go up in the air in ships.Pub Date: June 1, 2001
ISBN: 1-55750-236-6
Page Count: 235
Publisher: Naval Institute Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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