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DIANE

TRUE SURVIVOR

A sobering, powerful story of overcoming devastating childhood trauma.

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An abuse survivor shares her harrowing journey and recovery in this posthumous memoir.

Diane, whose last name is not given to protect her family’s privacy, grew up in the idyllic village of Guildford, England, an experience she describes as “sort of a Norman Rockwell lifestyle.” At age 9, her world turned upside down when she found out her doting mom and dad were foster parents, and that her biological mother, Sharon, had come from the United States to retrieve her and her brother, David. “I was just devastated,” Diane recalls, “realizing that everything was a lie.” In addition to the psychological trauma and loss of her childhood identity, Diane was thrust into a new American culture during a period of civil unrest in 1969. Though Diane, David, and Sharon were white, Sharon’s partner at the time was Black, and the family lived in a predominantly African American neighborhood in the South Bronx. Though stories of culture shock told from the perspective of a white English girl growing up in a Black neighborhood offer keen lessons on race in the U.S., the book’s early chapters center on trauma. By 1972, as Diane retells in the book’s shocking prologue, she contemplated murdering her allegedly abusive mother and stepfather but decided to run away instead. Soon Diane’s life had spiraled to rock bottom, and she was pregnant at 14.

Lassoe’s work paints a disturbing story of abuse, neglect, and generational trauma. It is, however, fundamentally a story of survival, hope, and reconciliation. The father of Diane’s first child, for instance, reappeared in her life having overcome his heroin addiction. The author’s brother, David, who also lived on the streets for a while, was protected by a pair of drag queens. Diane forgave her biological mother following their reunion in her adulthood. In a remarkable story of compassion and forgiveness, Diane took care of Sharon during her dying days. Author Lassoe first met Diane while the two were graduate students together more than a decade ago when Diane first shared her story with him during a classroom assignment. Based on hours of recorded interviews with Diane, Lassoe weaves together her trauma-fueled story into a cohesive narrative. A practicing psychotherapist, Lassoe shares Diane’s vision to provide inspiration to readers who seek to change the story of their own lives from “one of challenge and hardship to one of grace and forgiveness.” Published posthumously after Diane’s 2022 death, Lassoe obtained permission from her family to proceed with publication of their book. Written in first-person, the book’s writing style takes Diane’s stream-of-consciousness, conversational interviews to create a chronological, well-edited story. In addition to the power of Diane’s personal journey, this book is also a model of how to be true to oral history source material while crafting a readable story that shapes disjointed memories into a tight narrative. Even while readers may not identify with the author’s personal faith, the book is never preachy, despite its overtly religious overtones in later chapters. The text is accompanied by a wealth of snapshot photographs taken throughout Diane’s life.

A sobering, powerful story of overcoming devastating childhood trauma.

Pub Date: Dec. 12, 2024

ISBN: 9798888245088

Page Count: 216

Publisher: Koehler Books

Review Posted Online: Oct. 16, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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