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FUNNY BOYS

You were expecting maybe Shakespeare? Undemanding readers undeterred by the cardboard characters, B-movie dialogue and total...

A tumler and a good-time girl tangle with some nasty mobsters at a Catskills hotel in this latest from Adler (The War of the Roses, 2004, etc.).

Twenty-two-year-old Mickey Fine doesn’t care that his father thinks comedy is no profession for a nice Jewish boy. He takes a job as social director at Gorlick’s, a hotel/casino, even though he knows the clientele is composed of Jewish gangsters, their wives, kids and girlfriends. “Absolutely no wop jokes,” warns Sol Gorlick; apparently the gangsters’ Italian boss, Albert Anastasia, doesn’t find those funny. Readers won’t find many of Mickey’s jokes funny, but he charms 18-year-old Mutzie Feder, a fellow Brooklynite who dreams of movie stardom but settles for Pep Strauss, a handsome killer who makes her his “number one” and sends her to Gorlick’s for the summer of 1937. It turns out that being Pep’s number one includes being pimped to Anastasia and passed on to the local madam as a prostitute—not exactly what Mutzie had in mind when she dyed her hair Jean Harlow platinum. Luckily for her, Mickey’s fallen in love with Mutzie. (Who knows why, since she’s an accumulation of clichés, like all Adler’s characters.) So the boy and girl take it on the lam after witnessing one of Pep’s contract murders and get all the way to Albany, where Governor Herbert Lehman promises them he’ll nail those mobsters…just as soon as he wins the next election. A gangster wannabe named Irish catches the couple and brings them back to Gorlick’s, where the enraged Pep waits to dole out retribution. It takes some really bad jokes from Mickey and Mutzie’s clever manipulation of Irish to get them out of Gorlick’s and on the road to Hollywood.

You were expecting maybe Shakespeare? Undemanding readers undeterred by the cardboard characters, B-movie dialogue and total lack of period atmosphere will probably keep flipping pages to find out where the silly plot is going.

Pub Date: March 1, 2008

ISBN: 978-1-59020-034-6

Page Count: 320

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2007

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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