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ROLL THE DICE

This novel’s protagonist may not be the most relatable, but his story offers an informative take on modern political madness.

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A roaring political novel about an unlikely U.S. Senate candidate in Nevada.

Debut author Avrashow presents the story of rock singer Tyler Sloan’s quest to become a politician. Sloan, the son of a former governor of California, is world-famous for his music, and although he may not be able to hit the high notes like he used to, he still commands quite an audience. Following the death of one of Nevada’s senators, there’s a special election with two major candidates: a Republican who flails whenever she has to go off-script, and a Democrat who puts people to sleep with his long-winded speeches. If there were ever room for an independent in American politics, it’s in this race. But why would Sloan bother to get involved? Because, as he says, “Washington is poisoned with hyper-partisan B.S. Nothing gets done. Nothing.” But the question driving the novel isn’t whether Sloan can do away with the “hyper-partisan B.S.”—it’s whether he can convince voters that he’s the man for the job. Hurdles arise as his campaign progresses, not the least of which is the existence of a sex tape featuring Sloan and a political opponent. Readers may find, though, that rooting for Sloan isn’t particularly satisfying. As a wealthy, famous entertainer who’d “met three presidents before his twenty-first birthday,” he’s hardly an everyman—nor does it seem likely that he could relate to one. What instead gives the book its intrigue are the many details that candidates must face in such a campaign. Sloan gets a primer on handshaking, for example, and how the pasts of his own staff members can sometimes prove to be more hindrance than help. However, the political tough guy speak can feel clichéd (“You knew that enviro whack job would demand further studies in Congress on our gaming bill!”), and the final outcome of the book is somewhat predictable. That said, the journey there will force readers to take a hard look at what it takes to get elected.

This novel’s protagonist may not be the most relatable, but his story offers an informative take on modern political madness.

Pub Date: Nov. 28, 2017

ISBN: 978-1-946143-32-7

Page Count: 330

Publisher: Fiery Seas

Review Posted Online: Nov. 9, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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