This novel’s protagonist may not be the most relatable, but his story offers an informative take on modern political madness.
A roaring political novel about an unlikely U.S. Senate candidate in Nevada.
Debut author Avrashow presents the story of rock singer Tyler Sloan’s quest to become a politician. Sloan, the son of a former governor of California, is world-famous for his music, and although he may not be able to hit the high notes like he used to, he still commands quite an audience. Following the death of one of Nevada’s senators, there’s a special election with two major candidates: a Republican who flails whenever she has to go off-script, and a Democrat who puts people to sleep with his long-winded speeches. If there were ever room for an independent in American politics, it’s in this race. But why would Sloan bother to get involved? Because, as he says, “Washington is poisoned with hyper-partisan B.S. Nothing gets done. Nothing.” But the question driving the novel isn’t whether Sloan can do away with the “hyper-partisan B.S.”—it’s whether he can convince voters that he’s the man for the job. Hurdles arise as his campaign progresses, not the least of which is the existence of a sex tape featuring Sloan and a political opponent. Readers may find, though, that rooting for Sloan isn’t particularly satisfying. As a wealthy, famous entertainer who’d “met three presidents before his twenty-first birthday,” he’s hardly an everyman—nor does it seem likely that he could relate to one. What instead gives the book its intrigue are the many details that candidates must face in such a campaign. Sloan gets a primer on handshaking, for example, and how the pasts of his own staff members can sometimes prove to be more hindrance than help. However, the political tough guy speak can feel clichéd (“You knew that enviro whack job would demand further studies in Congress on our gaming bill!”), and the final outcome of the book is somewhat predictable. That said, the journey there will force readers to take a hard look at what it takes to get elected.
This novel’s protagonist may not be the most relatable, but his story offers an informative take on modern political madness.Pub Date: Nov. 28, 2017
ISBN: 978-1-946143-32-7
Page Count: 330
Publisher: Fiery Seas
Review Posted Online: Nov. 9, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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