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ROLL THE DICE

This novel’s protagonist may not be the most relatable, but his story offers an informative take on modern political madness.

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A roaring political novel about an unlikely U.S. Senate candidate in Nevada.

Debut author Avrashow presents the story of rock singer Tyler Sloan’s quest to become a politician. Sloan, the son of a former governor of California, is world-famous for his music, and although he may not be able to hit the high notes like he used to, he still commands quite an audience. Following the death of one of Nevada’s senators, there’s a special election with two major candidates: a Republican who flails whenever she has to go off-script, and a Democrat who puts people to sleep with his long-winded speeches. If there were ever room for an independent in American politics, it’s in this race. But why would Sloan bother to get involved? Because, as he says, “Washington is poisoned with hyper-partisan B.S. Nothing gets done. Nothing.” But the question driving the novel isn’t whether Sloan can do away with the “hyper-partisan B.S.”—it’s whether he can convince voters that he’s the man for the job. Hurdles arise as his campaign progresses, not the least of which is the existence of a sex tape featuring Sloan and a political opponent. Readers may find, though, that rooting for Sloan isn’t particularly satisfying. As a wealthy, famous entertainer who’d “met three presidents before his twenty-first birthday,” he’s hardly an everyman—nor does it seem likely that he could relate to one. What instead gives the book its intrigue are the many details that candidates must face in such a campaign. Sloan gets a primer on handshaking, for example, and how the pasts of his own staff members can sometimes prove to be more hindrance than help. However, the political tough guy speak can feel clichéd (“You knew that enviro whack job would demand further studies in Congress on our gaming bill!”), and the final outcome of the book is somewhat predictable. That said, the journey there will force readers to take a hard look at what it takes to get elected.

This novel’s protagonist may not be the most relatable, but his story offers an informative take on modern political madness.

Pub Date: Nov. 28, 2017

ISBN: 978-1-946143-32-7

Page Count: 330

Publisher: Fiery Seas

Review Posted Online: Nov. 9, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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