This novel’s protagonist may not be the most relatable, but his story offers an informative take on modern political madness.
A roaring political novel about an unlikely U.S. Senate candidate in Nevada.
Debut author Avrashow presents the story of rock singer Tyler Sloan’s quest to become a politician. Sloan, the son of a former governor of California, is world-famous for his music, and although he may not be able to hit the high notes like he used to, he still commands quite an audience. Following the death of one of Nevada’s senators, there’s a special election with two major candidates: a Republican who flails whenever she has to go off-script, and a Democrat who puts people to sleep with his long-winded speeches. If there were ever room for an independent in American politics, it’s in this race. But why would Sloan bother to get involved? Because, as he says, “Washington is poisoned with hyper-partisan B.S. Nothing gets done. Nothing.” But the question driving the novel isn’t whether Sloan can do away with the “hyper-partisan B.S.”—it’s whether he can convince voters that he’s the man for the job. Hurdles arise as his campaign progresses, not the least of which is the existence of a sex tape featuring Sloan and a political opponent. Readers may find, though, that rooting for Sloan isn’t particularly satisfying. As a wealthy, famous entertainer who’d “met three presidents before his twenty-first birthday,” he’s hardly an everyman—nor does it seem likely that he could relate to one. What instead gives the book its intrigue are the many details that candidates must face in such a campaign. Sloan gets a primer on handshaking, for example, and how the pasts of his own staff members can sometimes prove to be more hindrance than help. However, the political tough guy speak can feel clichéd (“You knew that enviro whack job would demand further studies in Congress on our gaming bill!”), and the final outcome of the book is somewhat predictable. That said, the journey there will force readers to take a hard look at what it takes to get elected.
This novel’s protagonist may not be the most relatable, but his story offers an informative take on modern political madness.Pub Date: Nov. 28, 2017
ISBN: 978-1-946143-32-7
Page Count: 330
Publisher: Fiery Seas
Review Posted Online: Nov. 9, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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