Insightful and blissfully free of jargon, Humiliation may not be the last word on the subject, but it’s an accessible...
A series of meditations on the concept of humiliation.
Poet and scholar Koestenbaum (English/City Univ. of New York Graduate Center; Hotel Theory, 2007, etc) offers a hybrid book. Personal confessions (humiliating in nature, naturally) sit alongside astute analysis of such cultural icons as Basquiat and the Marquis de Sade, and theoretical hypotheses mingle with observations about reality television and erotic Craigslist personal ads. Structured as a series of chapters or “fugues,” each consisting of a series of numbered paragraphs varying in length from one sentence to several pages, the book is academic in tone and content but not necessarily in scope or format. What Koestenbaum sacrifices in depth, he makes up for in clarity. For example, in two sentences he dispatches with the distinction between shame and humiliation; excavating the full meaning of this distinction could easily require an entire chapter. Though this brief treatment is appropriate given the length of the book, other distinctions—like that between relatively minor humiliations, like being rejected romantically, and major ones, like being raped or tortured—are merely acknowledged in a sort of hand-wringing way. Yet the book cannot be characterized as shallow. Koestenbaum consistently offers enlightening, well-written insights into the process of abreaction; the way language can be humiliating to the artist, the writer or the illiterate; queer theory; and reality television and voyeurism. The author avoids mistaking unreadable prose for complexity, and though the book may be best suited for academics, general readers interested in the topic will not be lost or frustrated.
Insightful and blissfully free of jargon, Humiliation may not be the last word on the subject, but it’s an accessible introduction.Pub Date: Aug. 2, 2011
ISBN: 978-0-312-42922-5
Page Count: 192
Publisher: Picador
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
