Throughout the alarums and excursions, the low-maintenance heroine maintains a composure that should serve her well in the...

A HOUSE OF GHOSTS

Ryan, best known as William Ryan for his three historical novels about Moscow police captain Alexei Korolev (The Twelfth Department, 2013, etc.), goes back even further in time for some homefront intrigue in 1917 England.

The ostensible reason the Secret Intelligence Service sends Capt. Robert Donovan (not his real name) down to Blackwater Island, off the Devon coast, is to protect Lord Francis Highmount and his Austrian-born wife, Lady Elizabeth Highmount, during what looks like a fraught weekend party. The SIS doesn’t bother to give a reason why Donovan should be joined by Naval Intelligence codebreaker Kate Cartwright. The guests providing cover for Kate, who’d already turned down an invitation to the gathering, include her titled parents and Capt. Rolleston Miller-White, a plausible scoundrel to whom she was once engaged. The most important skill Kate brings to the party is one she’s kept secret: She can see spirits. That makes her an ideal person to test the claims of Madame Feda and Count Orlov, a pair of mediums taken up by Lady Elizabeth, who hopes to get into contact with the sons who haven’t returned from the war. Algernon Highmount is missing, presumed dead; there’s no doubt at all that his brother Reginald, Kate’s late fiance, was killed. Once the island is duly isolated from the mainland by bad weather and deliberate sabotage, Ryan pulls out all the stops. Blackwater Abbey, “built on a graveyard,” features bloodstained staircases, secret passages, and all the nooks and crannies needed to keep the dozen guests and residents from providing solid alibis to each other when one of them is murdered. There’ll be séances, unmaskings, things that go bump in the night, voices from beyond the grave, and revelations of several different characters’ unsuspectedly dark connections to the Great War.

Throughout the alarums and excursions, the low-maintenance heroine maintains a composure that should serve her well in the promised series.

Pub Date: Oct. 1, 2019

ISBN: 978-1-948924-71-9

Page Count: 384

Publisher: Arcade

Review Posted Online: July 15, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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